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Sergio Mendes & Brasil '88

LP (Item 9803) Elektra, 1978 — Condition: Very Good+
$4.99 ...

LP, Vinyl record album

(€4.23 || £3.78 || ¥552) (approx.)

The title says "88", but the album's from 1978 – and it's one of Sergio's great sets from the 70s that mixes older Brazilian roots with sweeter American soul! The sound is really wonderful – almost more LA than Rio, but still with plenty of Brazilian elements filtered into the mix – not just in the choice of tunes, which is great, but in the freer, looser jazz styles employed with the vocals. Sergio plays some especially wonderful keyboards on the album – further enforcing a sense of jazzy warmth – and vocals are mostly by the team of Carol Rogers and Marietta Waters, singing together in that twin-female approach that Mendes used often over the years, but also with Waters stepping out solo a bit too. Musicians include both American jazz talents like Bud Shank and Frank Rosolino – plus Brazilian artists who include Nana Vasconcelos and Nelson Angelo. Titles include a great version of "Waters of March (aka Agua De Marco)" – done at a fast clip, with English lyrics, and a very nice groove that makes the cut a real dancefloor groover – and other tracks include "Bridges", "Misturada", "That's Enough For Me", "One More Lie", "Life Goes On", and "Tiro Cruzado". (Includes the printed inner sleeve. Cover has a promo sticker and unglued bottom seam.)  © 1996-2017, Dusty Groove, Inc.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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