Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Novaphonia

LP (Item 979412) Tidal Waves, 1987 — Condition: New Copy
List Price: 26.99

A soul record, but one with a fair bit of "something else" going on as well – and a set that was originally only issued on cassette, which might be why it was missed the first time around! Antonio L Newton, aka Tony Newton, has a long legacy in soul music – including work with Motown groups, especially the Miracles – yet by the time of this record, he clearly is off into territory that's all his own – using new technologies of the 80s to work in the studio all by himself, and serving up a set of keyboard-heavy tracks that really have a nice sense of variety! Some tunes have a very upbeat vibe – almost 80s sound library or soundtrack action material – while others are more mellow and meditative – soundscapes carved out of work on Roland, Yamaha, and Wersi keyboards. Titles include "Lento", "Odyssey", "Star Romance", "Novatron 2", "Breakthrough", and "Astro".  © 1996-2021, Dusty Groove, Inc.
(Limited edition of 500!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


DC Records/Tidal Waves, 1980. New Copy (reissue)
A rare funky gem from this obscure Florida group – a combo with roots in the more-famous Winstons – that legendary group who gave the world "Amen Brother" at the end of the 60s! The work here is equally funky, but in a different sort of way – tight 70s ensemble funk, ... LP, Vinyl record album

Bubbha Thomas

Life & Times
Lightnin/Tidal Waves, 1985. New Copy (reissue)
An obscure later set from Texas legend Bubbha Thomas – a drummer you'll know from his work with the legendary Lightmen group in the 70s – working here in an 80s-styled extrapolation of some of the ideas from that previous combo! The music is much leaner than before – heavy on ... LP, Vinyl record album
Just Sunshine/Tidal Waves, 1973. New Copy Gatefold (reissue)
Mellow soul, sweeping strings, and sweet electric keys – a stone 70s classic from Norman Feels – one of the greatest soul singers you've never heard before! The album's Norman's first (of two), and is a vastly under-recognized gem – the kind of record that easily stands next to ... LP, Vinyl record album
Pride/Mr Bongo (UK), 1972. New Copy (reissue)
TThe first album by The Sylvers – a soulful band made up of youngsters from the Los Angeles scene, but who had a lot more going on than some of the other kiddie-soul bands of the early 70s! The group's a sextet at this point, with four male voices and two female ones – coming across as ... LP, Vinyl record album

Betty Davis

Nasty Gal
Island/Light In The Attic, 1975. New Copy Gatefold (reissue)
The biggest-label release ever cut by 70s funk legend Betty Davis – but a set that's every bit as hard and heavy as the indie dates that preceded it! Davis is at the top of her form here – bad-stepping amidst the heavy drums and freaked-out guitars that easily made her one of the ... LP, Vinyl record album
Loma/Future Days, Mid 60s. New Copy
Major labels didn't always get soul music as well as the indies back in the 60s – but there's one exception to that myth, the mighty Loma Records label from Warner Brothers! The company had a near-perfect run during its few years in business – killer soul singles that are every bit as ... LP, Vinyl record album

Purple Image

Purple Image
Tidal Waves, 1970. New Copy (reissue)
A key album in the post-Hendrix tradition of funky black rock – and the only album ever recorded by Cleveland's Purple Image! The approach here follows nicely in the same territory worked by Funkadelic and Fugi in the early days – a heady, fuzzed-up blend of trippy guitars, heavy ... LP, Vinyl record album
Eastbound/Tidal Waves, 1973. New Copy (reissue)
An obscure bit of heavy soul – and the only vocal album on the jazz-based Eastbound imprint of Detroit's legendary Westbound Records! Albert's a blues artist, and sings in a soulful electric style that's similar to some of the Stax work of Albert King – but which has a bit more of a ... LP, Vinyl record album

Montana

Heavy Vibes
Temposphere (Italy), Late 70s/1980s. New Copy 3LP
Stunning – an overloaded set of grooves by one of the greatest Philly soul talents ever! Vince Montana's probably had a hand in more records than you'd think – either playing vibes, which he did on countless Philly classics, or arranging and producing, which he did with a freewheeling ... LP, Vinyl record album
Odc (Italy), Late 70s/Early 80s. New Copy 2LP Gatefold
A spacey little set of clubby grooves – with some lead vocals from the legendary Leroy Burgess and Luther Vandross! The tracks here are all quite long and building – very much in the classic Prelude Records mode, and with a fair dose of European influence, but mostly just on the ... LP, Vinyl record album
Warner/Odc (Italy), 1980. New Copy 2LP Gatefold (reissue)
The classic debut from Change – and the start of an amazing run of groovers in the early 80s! The set's got a tight, jazzy feel throughout – a stripped-down approach to disco modes, with the same focus on the basslines that you'd find in work by Chic – but a style that's almost ... LP, Vinyl record album
Epic, Late 80s/Early 90s. New Copy 2LP Gatefold (reissue)
Has there ever been anyone as lovely as Sade? We think not – and from the time she first hit our ears in the 80s, it was the start of an instant love affair that's continued for decades! Sade really brought something new to music at the time – a return to older styles of acoustic and ... LP, Vinyl record album
 



⇑ Top