Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Structures Revisited (Into The Hot/Unit Structures)

CD (Item 976204) Hat Art (Switzerland), 1961/1966 — Condition: New Copy
Out Of Stock

CD

✈
❔

A pair of crucial Cecil Taylor sessions from the 60s – both of which show the free-thinking pianist working amidst some larger arrangements! First up are three tracks from the Gil Evans album Into The Hot – all tunes written by Cecil Taylor – a very bold move for Evans, given Taylor's strongly out reputation even at this point in his career – and possibly even more bold, given that Taylor's on the tracks playing piano, alongside players who include Archie Shepp on tenor, Jimmy Lyons on alto, Henry Grimes on bass, and Sunny Murray on drums – plus work on one track from Ted Curson on trumpet and Roswell Rudd on trombone. The material's fantastic, and is a key part of Taylor's work at the time, and shows a very different setting for his piano – a bit of tension with the larger Evans group, in a way that's almost more compelling than his own early dates as a leader – on the titles "Pots", "Bulbs", and "Mixed". Next is the Unit Structures album – one of a rare few albums done by pianist Cecil Taylor for the Blue Note label in the 60s – some of the most outside work recorded for the imprint at the time! The word "structures" here is perhaps a bit misplaced – as the work has a strong sense of freedom with the soloists – who operate based on a system of energy and impulses described by Taylor in the notes, at a level that's maybe one of his most inventive, ambitious expressions of the decade! The whole lineup is great – with especially strong horn work from Eddie Gale on trumpet, Jimmy Lyons on alto, and Ken McIntyre on alto, oboe, and bass clarinet – and Taylor's piano gets accompaniment from two groundbreaking bassists – Henry Grimes and Alan Silva – plus drums from Andrew Cyrille. Given the lineup, and the format, the whole thing almost feels more like one of the BYG/Actuel avant sessions than Blue Note in the 60s – and titles include "Steps", "Enter Evening (Soft Line Structure)", "Unit Structure/As Of A Now/Section", and "Tales (8 Whisps)".  © 1996-2022, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Cecil Taylor

Cell Walk For Celeste
Candid/Ultra Vybe (Japan), 1961. New Copy
A standout album in Cecil Taylor's creative run for the Candid label at the start of the 60s – not only because it features great work from a young Archie Shepp on tenor, but also because trumpeter Clark Terry makes a surprising appearance too! Shepp works with Taylor on the album's famous ... CD

Cecil Taylor

Air
Candid/Ultra Vybe (Japan), 1960. New Copy
Cecil Taylor and Archie Shepp – two key modern figures of the 60s, working here together in a seminal session recorded at the start of the decade! The album's approach is definitely dictated by Taylor – as the tunes have a piano-driven quality that's quite different than most music ... CD
Listen Foundation (Poland), 1984. New Copy
One of the most ambitious Cecil Taylor projects of the 80s – a special project performed by a large ensemble at a jazz festival in Poland – an incredible group who really expand the vision in Cecil's music! Make no mistake, Taylor is definitely the leader here – his piano and ... CD

Daniel Carter/Matthew Shipp/William Parker/Gerald Cleaver

Welcome Adventure Vol 2
577, 2022. New Copy
One of those records that just makes us say "wow" right from the very first note – a perfect showcase for all musicians involved, and a really mighty meeting of the creative minds! We've really loved the strong return to form that Matthew Shipp has given us on piano in recent years ... CD
Hat Art (Switzerland), Late 60s. New Copy
Miles Davis, recorded in Stockholm – two different shows with only two years between them – but almost a lifetime of difference in the way the music is presented! The 1967 show has the Miles Davis group still hanging onto the greatness of its classic mid 60s lineup – with Wayne ... CD
Discus (UK), 1974/1981/2016. New Copy
Three unreleased slices of work from the legendary Tony Oxley – a British drummer who's had an impact on his scene's music for decades – and also an artist who can handle a whole lot of other musical sources as well! The set begins with some very seminal sounds from Oxley – music ... CD
United Artists/Universal (Japan), 1959. New Copy
A stunning early album from modern piano giant Cecil Taylor – a set that hides under a surprising cover that's a heck of a lot more cheesy than anything else that's ever appeared on a record by Cecil! Yet don't let the cover fool you, or the familiar tracks on the set – as Taylor's ... CD

Cecil Taylor

Lifting The Bandstand
Listen Foundation, 1998. New Copy
A late 90s recording, and one that has Cecil Taylor really going strong – soaring out on a long, improvised piece that runs for 75 minutes in length – with a strong and unusual group that features Tristan Honsinger on cello, Harri Sjostrom on soprano sax, Teppo Hauta-Aho on bass, and ... CD
Ayler (Sweden), 2022. New Copy
We never stop falling in love with the music of bassist Joelle Leandre – and although we've been listening to her records for many many years, we still always feel newly moved when we encounter music as great as this! The set features both a long live set of solo improvisations, recorded in ... CD
Ezz-Thetics/Hat Hut (Switzerland), Mid 60s. New Copy
A CD that brings together some important early work from altoist Marion Brown – two long tracks from the sessions for his Quartet album on ESP – and a later album issued only overseas! The set begins with the long tracks "Capricorn Moon" and "Mephistopheles" from ... CD
Hat Art (Switzerland), Mid 60s. New Copy
A pair of Don Cherry classics from the mid 60s – back to back on a single CD! First up is Complete Communion – arguably the best of Cherry's albums for Blue Note – and a real masterpiece of soulful avant playing! The group features Cherry on cornet, Gato Barbieri on tenor (and ... CD
Hat Art (Switzerland), Early 60s. New Copy 2CD
A pair of legendary albums from the mighty Joe Harriott – a player who emigrated to England in the 50s, then set the scene on fire in the following decade! First up is Free Form – the landmark album that forever put saxophonist Joe Harriott on the map, and it's a brilliant batch of ... CD
 



⇑ Top