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We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Dusty Groove does not use the grades of Near Mint
(or Mint, for that matter) because in our experience, we find that no records
ever qualify for such a high grade. Even sealed records tend to have one or two
slight faults, enough to usually qualify them for a grade of NM- or lower. We've
often found that records which are clearly unplayed will have a slight amount of
surface noise, especially in quieter recordings.
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Good + (plus)
Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
This is a grade we rarely use, as we try not to sell records
in very bad condition, though in some rare cases we will list a
record in such bad shape that it does not conform to the standards above.
A "Fair" record will have enough marks or significant flaws that it
does not even qualify as "Good", but is a copy you might consider
for playing, if you're willing to put up with noise and/or flaws.
An example might be a recording with surface noise so heavy that
it is equal to the volume of the music. For records listed as "Fair",
we will describe the extent of the condition in the comments.
Like "Fair", we rarely list records in this condition,
as they represent the extreme low end of spectrum.
These records typically have multiple serious problems,
and we offer them as "relics" or "objects" only — for
those who want to at least have a copy of a record,
even if it is not really worthy of play, perhaps for the cover alone.
For these records, we will describe the extent of the condition in the comments.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Our favorite album ever from French soundtrack maestro Philippe Sarde – and maybe one of our favorite French soundtracks too! There's a really special quality to this music – as rich as some of Sarde's other scores, but maybe linked more towards the new wave of subtle expression that ... CD
A pair of rare soundtracks from Philippe Sarde – both of them done for Italian director Marco Ferreri! First up is Liza – a sensual score that does a really great job of using older modes of instrumentation to convey some of the slinky 70s eroticism of the movie! Unlike other scores ... CD
A pair of obscure 70s soundtracks from Philippe Sarde – back to back on a single CD! First up is Barocco – a great little dramatic score from Philippe Sarde – done for a film set in the lower reaches of the boxing world, and given this wonderfully moody music that's even a cut ... CD
Sublime sounds from cellist Ernest Reijseger – an artist who we mostly know for his work in the field of improvised music, but who's also become one of the key soundtrack composers to work with director Werner Herzog over the past 20 years! In fact, it might well be said that Ernest is ... CD
A groovy soundtrack to a film we'd love to see – an obscure thriller that starred Henry Fonda and Yul Brynner – and which, like most of the Morricone-scored films of the period, has dropped from cinematic history, even though the wonderful soundtrack lives on! The style of the music ... CD
One of the first big international soundtracks to come from the Italian scene in the 60s – the start of a great run that would continue through the decade, although maybe not with results as strongly as this! The score is for a strange documentary-like film (the title means "World Gone ... CD
Two early 70s scores from Philippe Sarde – both from a time when he was really at the top of his game! Le Chat is a soundtrack that's done with the rich amount of feeling that can make some of the best Sarde scores so special – larger orchestrations, but peppered with solo piano by ... CD
Three different military soundtracks from Philippe Sarde – all brought together here in a single set! La Maison Assassinee is the latest of the three – and has this wonderful quality that resonates strongly with some of Sarde's best orchestral work of the 70s – almost sentimental ... CD
Maurice Jarre is no stranger to a military soundtrack, but his work here is nicely different than the rest – maybe in part because the movie's a creative effort from director Henri Verneuil, with Jean-Paul Belmondo in the lead! There's some nice currents of whimsy and sentiment mixed in with ... CD
A career-spanning collection of work from one of our favorite Italian soundtrack composers of all time – the fantastic Piero Piccioni, presented here in a wealth of material pulled from the vaults of Cam! Piccioni was one of the most important Italian film music talents of the 60s – ... CD
A weird and wild collection of work that once graced the films of Doris Wishman – dubbed in the notes as the "pint-sized sleaze queen" of 60s nudist films – with an underground legacy that finally gets its due in this very cool package! The audio component is a mix of film ... CD
One of the grooviest soundtracks we've ever seen for one of the classic Italian comedies from the team of Bud Spencer and Terence Hill – music that's got all the best qualities of Guido and Maurizio DeAngelis really coming to the forefront, without some of the sometimes-cheesy elements they ... CD