This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A synthy soul funk project from the team of Danger Mouse and Cee-Lo – a set that's just trippy enough – and it's possibly the best full length from either party, ever! You don't need us to tell you that DM has had a finger in a handful of the best fringe pop/leftfield hip hop projects ... CD
A tight effort from Glue on Fat Beats – which rolls with a boom bap reverence and an uptempo raw vibe – they're the kind of crew that probably KILLS it live and brings that feel to the record! Producer Maker's quickly becoming a favorite around here with his hard-hitting approach ... CD
More gallows humor, and dark, clever wordplay from Slim, with an occasional party bounce and maybe not as pitch black as some of the material on the previous LPs. Cultural phenomenon status aside, The Show finds the Shady one still up there as one of the better narrative storytellers, but we have ... CD
Tracks include "Check The Rhime", "Bonita Applebum", "Award Tour", "Can I Kick It?", "Scenario", "Buggin' Out", "If The Papes Come", "Electric Relaxation", "Jazz (We've Got)", "I Left My Wallet In El ... CD
A great early CTI session by George Benson, and one of the most stripped-down, straight-ahead funky records he did for the label! There's a sharpness here that's different than the larger feel of some of Benson 's later records – a sound that almost links back to his soul jazz roots in the ... CD
Slow Motion Bossa Nova certainly fits this one – a beautiful album of lush jazzy arrangements, done in the 60s style of artists like Roberto Menescal or Lalo Schifrin, but with added touches of soulful vocals by Celso Fonseca. The assemblage of musicians on the record is great – and ... CD
A collection of John Coltrane classics, with a shifting array of players that includes Miles Davis on trumpet, Steve Davis and Paul Chambers on bass, Elvin Jones and Art Taylor on drums, and McCoy Tyner, Red Garland, Duke Ellington, and Tommy Flanagan on piano. CD