Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Super Somali Sounds From The Gulf Of Tadjoura

LP (Item 975111) Ostinato (UK), Late 80s/Early 90s — Condition: New Copy
2LP Gatefold
List Price: 25.99

Maybe the first-ever collection of the work of this important group from Djibouti – a huge state-financed ensemble whose performances were captured on tape for radio, but never issued as regular commercial albums at the time! 4 Mars take their name from a key moment of independence in the young nation – and they're a very powerful force on these recordings from the 80s and early 90s – bringing together a huge amount of current concepts from the East African scene, all within a very large, shifting array of singers, percussionists, and horn players too! At times, the rhythms almost seem to echo Jamaican music, but there's also currents of Ethiopian and Sudanese styles too – no surprise, given the crossroads of Djibouti, which maybe makes the group as welcoming to outside styles as they are importantly representing their nation's culture. As with other sets on the Ostinato label, the package is an essential look at sounds we never would have heard otherwise – rescued from the tape archive of the national radio station, and presented here with very detailed notes on the music and culture at the time. Titles include "Abaal", "Inkaar Waalid", "Lama Rabeen Karo", "Daroor", "Hobalayeey Nabadu", "Natesha", "Maalkii Runta Ahaa Anigaa Ka Roooree", and "Tilman Baa Lagu Socodaa".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Terrestrial Funk, 1970s/Early 80s. New Copy
Armenian grooves, but done with plenty of familiar funk elements as well – including lots of sweet keyboards and some hard-driving rhythms that makes more than a few of these tracks perfect for the clubs! There's not much in the way of notes with the package, and the set is hardly ... LP, Vinyl record album

Gyedu Blay Ambolley & Zantoda Mark III

Control
Mr Bongo (UK), 1980. New Copy (reissue)
A rare one from Ghanaian legend Gyedu Blay Ambolley – fully in control of a far-reaching funky trip with his Zantoda Mark III group! Control carries on with the most treasured aspects of Ambolley's mid 70s work – the raw percussion, punchy horns and charismatic vocals – but it's ... LP, Vinyl record album

PVP (Patience, Violet, Pinky)

Malende
La Casa Tropical (Netherlands), 1992. New Copy 2LP
PVP are a trio of South African singers who really update their groove with this sweet set of tracks from the early 90s – music that still comes across with some of the charm of 80s soul music from South Africa, but which also shows a stronger house music influence in the rhythms – ... LP, Vinyl record album

El Rego

El Rego
Daptone/Voodoo Funk, Late 60s/Early 70s. New Copy
Monumental Afro Soul from El Rego Et Ses Commandos – El Rego's best recordings from the late 60s to early 70s – a beautifully done compilation put together by Daptone and Frank Gossner, the deep digging West African music expert behind Voodoo Funk! Theophile Do-Rego is a legend in his ... LP, Vinyl record album
Daptone, 2020. New Copy
Antibalas take a page from the Wu-Tang book, and add a little kung fu action to their music – with results that maybe make this set one of their freshest in years! All the core energy of the group is very firmly in place – that razor-sharp instrumentation that's made these guys one of ... LP, Vinyl record album
Wah Wah (Spain), 1970. New Copy (reissue)
Bazali Bam look somewhat playful on the cover, but the record's got this darker intensity that points the way towards later experiments on the West African scene – with a blend of soul, funk, and psych elements that almost seem to be a precursor to Zamrock sounds! Yet the style here is a bit ... LP, Vinyl record album

William Onyeabor

Hypertension
Luaka Bop, 1982. New Copy (reissue)
William Onyeabor's looking pretty chilled out on the cover – especially given the Hypertension title of the record – a cool, confident dude decked out in a velvet jacket and sombrero – able to carry off that look as well as he can carry the grooves on the set! In anyone else's ... LP, Vinyl record album
Lion/Pearl Of Asia, Late 60s/Early 70s. New Copy
The first-ever western collection to pay tribute to the lost legacy of Sinn Sisamouth – easily one of the coolest singers in Cambodia, before the Khmer Rouge shut down his career along with the rest of mainstream society! Sinn's got this amazing voice – surprisingly deep for a little ... LP, Vinyl record album
Now Again, 1974. New Copy (reissue)
Tripped-out and wonderful sounds from Witch – served up in this excellent early record from the Zamrock kings of the 70s! Lyrics are in English, and have these dark tones that work perfectly with the group's offbeat guitar and organ lines – sometimes mixed here with acoustic guitar ... LP, Vinyl record album
Now Again, 1970s. New Copy 3LP Gatefold
Melodic psychedelia from 70s Iran – an incredible full scale anthology of recordings by guitarist and vocalist Kourosh Yaghmaei from the pre-revolution years – and an absolute treasure! Kouroush often recorded with his brothers – Kourosh singing lead and playing guitars or bass ... LP, Vinyl record album
Saturn/Art Yard (Germany), 1979. New Copy (reissue)
One of the most soulful Sun Ra albums ever – very much on the Lanquidity tip, and done with a great mix of electric and acoustic instrumentation! The vibe here is really mellow, spiritual, and warm – and the album actually feels a lot more like a session recorded for the Strata East ... LP, Vinyl record album
Music From Memory (Netherlands), Late 80s/Early 90s. New Copy 2LP Gatefold
A very cool collection that opens up who new territory for digging into the wonderful world of Japanese underground music – a set that features titles that were only issued on CD at the time, which might make these cuts even more obscure for those vinyl-centric folks looking into the music! ... LP, Vinyl record album
 



⇑ Top