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Super Sax Session (aka Pony's Express)

LP (Item 974918) Epic (France), 1963 — Condition: Near Mint-

One of the few albums ever cut as a leader by the mighty Pony Poindexter – a great reedman who made great waves on both sides of the Atlantic in the 50s and 60s! Pony first rose to fame in the band of Count Basie, but he's also got a pedigree that includes work in both New Orleans and San Francisco, and key later sides in Europe for MPS and other labels. This rare Epic set has Pony working as the lead soloist in a screaming hard sax section that includes Eric Dolphy, Gene Quill, Clifford Jordan, Sonny Red, Phil Woods, and Dexter Gordon – all top-shelf players willing to take second seat to Pony, and let him stretch out in the lead! The group's a largish one, but Pony breaks out with some beautiful soulful solos on alto and soprano sax – supported by a tight rhythm section that includes Gildo Mahones on piano. Titles include "Lanyop", "Pony's Express", "Cattin Latin", "Blue", and "B Frequency".  © 1996-2021, Dusty Groove, Inc.
(Early 70s French pressing. Cover has some light splitting on the bottom seam.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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