Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Pure Exotica – As Dug By Lux & Ivy

CD (Item 973440) Righteous (UK), Late 50s/Early 60s — Condition: New Copy
2CD
Temporarily Out Of Stock

CD

✈
❔

A deep dig into the farther reaches of the exotica boom of the late 50s – served up with the same sort of focus on unusual tracks that we love on the other collections from Lux & Ivy! Given the raunchy sound of The Cramps, you might not expect the duo to have as strong of an ear for the softer sounds of the islands – but there was always such a mish-mash of influences going into the postwar pastiche of their sound, and exotica certainly left its mark too! These tracks run from familiar names to much more obscure albums and singles – a very heady package that's divided up into a light CD, and a dark CD – with 34 titles that are awash in exotic percussion, strange sound effects, flute lines, echoey keyboards, vibes, and lots lots more. Titles include "Besame Mucho" by Ralph Font, "Ochun" by Johnny Richards, "Room 43" by Ray Anthony, "125th Street Prophet" by Phil Moore, "Hysteria" by Richard Shores, "Foggy Recollections" by Jack Fascinato, "Algiers" by Bianchi, "Now Is The Hour" by Leo Addeo, "Dawn Under The Sea" by Les Baxter, "Caravan" by Tak Shindo, "I Talk To The Trees" by Ruth Welcome, "Balsa Boat" by Elisabeth Windo, "Ebb Tide" by The Living Strings, "Legend Of The Rain" by Arthur Lyman, and "Head Hunters" by John McFarland.  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Capitol/El (UK), 1950s. New Copy 3CD
A huge run of records from Yma Sumac – presented here in a box that collects just about everything she recorded for Capitol Records in the 50s! First up is Voice Of The Xtaby – legendary vocal work from the postwar years – some of the earliest recordings from the enigmatic Yma ... CD
Sacred Bones, Late 60s/Early 70s. New Copy
A tremendous collection of work from moog maestro Mort Garson – a name you might know from projects like the Wozard Of Iz, Lucifer, or Ataraxia – stepping out here on some much more obscure recordings, including some that appear here for the first time ever! Garson was easily one of ... CD

David McCallum (with David Axelrod)

Music – A Bit More Of Me (LP sleeve edition)
Capitol/Get On Down, Late 60s. New Copy
CD...$6.99 14.98
Very groovy stuff from the Capitol heyday of the late 60s! The record ostensibly gives TV star (from "U.N.C.L.E.") David McCallum a chance to conduct a set of groovy instrumentals – but David Axelrod produced the album, and HB Barnum did some of the arrangements in the same groovy ... CD

Percy Faith

Clair/Joy
Columbia/Vocalion (UK), 1972/1973. New Copy
70s magic from Percy Faith – two albums presented here in their quadrophonic mixes! Clair is a really wonderful album from Percy Faith – part of a handful of sweet 70s sides that really had him sounding a lot more groovy than before! The album almost has a 70s soundtrack vibe at times ... CD

Burt Bacharach & Daniel Tashian

Blue Umbrella (with bonus tracks)
Sony (Japan), 2020. New Copy
A fantastic late album from Burt Bacharach – a collaboration with singer/songwriter Daniel Tashian, who adds some great front-end sounds to Burt's instrumentation! The balance here is great – very much that classic Bacharach sense of timing and space, but set to lyrics that are more ... CD
Pye/Vocalion (UK), 1974/1975. New Copy
Two great albums from Ray "funky trumpet" Davies – not the lead singer of The Kinks, but a heck of a groovy British bandleader from the 70s! First up is an album of Themes From The Exorcist and other films – all familiar movie themes from the early 70s, penned by artists like ... CD
Modern Harmonic, 1950s/Early 60s. New Copy 2CD
A really cool side of work from the enigmatic Raymond Scott – the legendary midcentury figure who did a wealth of creative work in jazz, soundtrack, and electronic music fields! Turns out, Scott also recorded a heck of a lot of commercials in his studio – all in ways that embrace all ... CD
RCA/Vocalion (UK), 1968/1972. New Copy
A pair of RCA Records gems from Hugo Montenegro – back to back on a single CD! First up is Theme From The Godfather – a sweet 70s update of the moogy groovy that Hugo Montenegro first started crafting in the 60s! The album's got both moog and Arp – the latter of which brings in ... CD

Richard & Linda Thompson

Hard Luck Stories 1972 to 1982 (8CD set)
Universal (UK), 1970s/Early 80s. New Copy 8CD Set
CD...$116.99 129.99
A fantastic collection of work from one of the most unique teams in British music during the 70s – Richard and Linda Thompson, first recording here in a romantic partnership, then together in the studio but separate in life – moving through a musical journey that is captured brilliantly ... CD
Ace (UK), 1970s. New Copy
A fantastic little collection – one that gets at a special side of the 70s European scene that wasn't quite prog, wasn't quite art rock, and wasn't quite experimental – but which definitely lay to the left of the mainstream during the decade and really helped set the tone for years to ... CD
Capitol/BGO (UK), Early 80s. New Copy 2CD
A pair of 80s pop classics from The Motels – back to back in a single set, and with bonus tracks too! First up is All Four One – a super-huge set from The Motels – and a record that still has the group holding onto a lot of credibility at a time when so much mainstream pop was ... CD

Tim Hardin

Painted Head
Columbia/BGO (UK), 1972. New Copy
CD...$9.99 19.99
A sublime early 70 set of rustic-accented folk, soul & blues from Tim Hardin that's heavy on covers – with tunes penned by Willie Dixon, Randy Newman, and others – in a soulful rock mode that's just ragged enough to give it a loose charm unlike any of Hardin's earlier work! Tim's ... CD
 



⇑ Top