Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

No Confusion

CD (Item 973139) Funkiwala (UK), 2021 — Condition: New Copy
$13.99 ...

CD

Also available
Justin Thurgur — No Confusion ... LP 22.99

Trombonist Justin Thurgur has spend time on the more global side of the scene in London during recent years – and here, he brings that experience to bear on a jazz set with a very unusual vibe! It's not easy to pick the straight influences of the tunes – there's currents of Afro Funk and South African jazz – but the end result is something else entirely, very contemporary, and very much Justin's own groove! The trombone is combined with piano, Fender Rhodes, and Hammond from Kishon Khan – in a shifting array that's heavy on percussion, guitar, and plenty of added horns too – all with a very righteous vibe. Titles include "Then & Now", "Straight Down To My Soul", "Meditations", "Mr Perceptionalization Is King", "No Confusion", and "You've Got To".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Menagerie

Many Worlds
Freestyle (UK), 2020. New Copy
A beautiful set of spiritual jazz from this hip Australian group – a combo who are headed up by guitarist Lance Ferguson, who you'll know from a host of great funk and soul projects over the years – but who shows a much deeper side of his talents with Menagerie! The group has a strong ... CD

Matthew Halsall

Salute To The Sun
Gondwana (UK), 2020. New Copy
A gem of a record from trumpeter Matthew Halsall – one of our favorite jazz musicians of the past 20 years, and an artist who just seems to be growing and growing with each new release! This set picks up on the organic, meditative quality of some of Halsall's recent records – but it ... CD

Mammal Hands

Captured Spirits
Gondwana (UK), 2020. New Copy
Maybe the strongest record so far from Mammal Hands – a set that really has the group growing in their sense of tone and color, and in the unique timing they bring to their tunes! The group is a trio, but not in a mode that you might be guessing – because next to the piano of Nick ... CD

Greg Foat

Dreaming Jewels
Athens Of The North (UK), 2019. New Copy
The funkiest record in years from the great Greg Foat – a set that moves away from some of the more open, meditative sounds of other recent albums – and has Greg returning to the kind of grooves that first made us fall in love with his music! Foat plays Fender Rhodes throughout – ... CD

Matthew Halsall

Oneness
Gondwana (UK), 2019. New Copy
Never-issued work from trumpeter Matthew Halsall – most of it recorded during the year of 2008, a time when Halsall was first really starting to make a name for himself – and also working with the great tenorist Nat Birchall! Birchall is on most of these tracks, and together the pair ... CD

Greg Foat & James Thorpe

Photosynthesis
Athens Of The North (UK), 2019. New Copy
A very cool collaboration between Greg Foat and James Thorpe – a set that's billed more as a sound library session than some of Foat's other jazz projects – even though the sound is equally appealing if you love those records too! The set is self-described as "futuristic analogue ... CD

Joe Chambers

Samba De Maracatu
Blue Note, 2021. New Copy
The great drummer Joe Chambers is one of the few Blue Note greats from the 60s who's still making groundbreaking records for the label – and although we don't hear from him often, each new record from Joe continues to be a delight! This set features Chambers not just on drums, but also vibes ... CD

Idris Muhammad

Power Of Soul
Kudu/CTI, 1974. New Copy
An incredible record from funky drummer Idris Muhammad! Idris is probably known for his funky break work on Blue Note and Prestige records sessions of the late 60s and early 70s – but by the time of this 1974 album, he was really expanding his style, hitting a laidback groove that went way ... CD

Miles Davis

On The Corner
Columbia, 1972. New Copy (reissue)
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to ... CD

Nimbus Sextet

Dreams Fulfilled
Acid Jazz (UK), 2021. New Copy
A Scottish sextet, but one with a much fuller sound overall – this great blend of funk, jazz, and a bit of soul – the last of which comes up on the album's few vocal numbers! There's really strong ensemble feel that almost takes us back to the glory days of the Japanese club jazz ... CD

Caesar Frazier

Hail Caesar!/'75
Eastbound/Ace (UK), 1972/1975. New Copy
2 killers from organist Caesar Frazier – back to back on one CD! Hail Ceasar is a monster bit of funky jazz – filled with long tracks that all jam mightily, all at a level that matches or tops the best work coming out of Prestige or Blue Note Records at the time! The set is one of the ... CD

Herbie Hancock

Thrust
Columbia, 1974. New Copy
Killer electric work from Herbie Hancock – right on par with his groundbreaking Headhunters set, but a bit spacier too! The album features a Headhunters-solid lineup – with Bennie Maupin on saxes, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion – all ... CD
 



⇑ Top