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(Cover has light wear and a small dent in the top seam.)
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Very obscure bit of late Curtom funk, recorded during the time the label was briefly allied with RSO, and when Fred Wesley was doing a bit of work for them. Wesley did a lot of the arrangements on the album, and got an uptempo groove that ranges from Horny Horns-type material to electro 80s ... LP, Vinyl record album
The third album by The Natural Four – the heavenly soul group that was one of Chicago's best harmony acts of the 70s! Like a lot of Curtom material from this period, this album experiments a little with an uptempo sound – and it mixes that with some mellower tracks that are in the vein ... LP, Vinyl record album
Heavenly soul – and the second album by this fantastic Chicago soul harmony group! The record has stellar production by Leroy Hutson and Rich Tufo, and Hutson wrote a lot of the tracks. One of the best records ever to come out of the Curtom studios, and (dare we say it!) even better than ... LP, Vinyl record album
Although Sylvia Robinson made her big money during the 70s recording soul for the All-Platinum group of labels – and then went over big to hip hop with her Sugar Hill label – she still managed to cut a few soul sides during the 80s, and the work of Harry Ray is some of her strongest ... LP, Vinyl record album
Plenty of Manpower from Miquel Brown– the Canadian club singer who scored big with the classic "So Many Man So Little Time" club cut in the early 80s – then followed it up with this full album of late disco grooves! Brown's vocal approach is in the higher side of the spectrum ... LP, Vinyl record album
A bit less clubby than other Lime work, but still with a nice sense of groove throughout! There's almost a bit of crossover energy going on in the set – trying for the sort of hit that might have grabbed them fame back in the early 80s, but which sounds a bit out of place by the time of this ... LP, Vinyl record album
A big breakthrough for Philip Bailey – and a record that was kind of a second-level explosion for the Earth Wind & Fire sound in the 80s! There's a definite crossover feel to the record – a style that takes Bailey's soulful vocals, and mixes them with lots of catchy hooks – ... LP, Vinyl record album
The story on these sides is that they were demos the Alan Douglas got a hold of, from very early on in Havens career, and then had overdubs laid down at a later date, in an effort to get them out and capitalize on Haven's post-Woodstock success. We actually like the slightly raw feel which ... LP, Vinyl record album
A great summation of Jose Feliciano's genius during his initial years at RCA – that unique mix of Chicano soul, acoustic folk, and Latin rhythms that made him sound unlike anyone else at the time! There's a charm to this work that's undeniable – an instantly compelling feel that makes ... LP, Vinyl record album
Unbelievable! This is one of the maddest Roland Kirk albums of all time – and it's also one of the hardest to find! The title says "Slightly Latin", but it's more of a mixed-up Now Sound/Bacharach-ish blend of orchestrations and voices, plus Exotica tinges, with Roland playing ... LP, Vinyl record album