This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Sealed
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Near Mint
Dusty Groove does not use the grades of Near Mint
(or Mint, for that matter) because in our experience, we find that no records
ever qualify for such a high grade. Even sealed records tend to have one or two
slight faults, enough to usually qualify them for a grade of NM- or lower. We've
often found that records which are clearly unplayed will have a slight amount of
surface noise, especially in quieter recordings.
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Very Good
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Good + (plus)
Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Good
A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
Fair
This is a grade we rarely use, as we try not to sell records
in very bad condition, though in some rare cases we will list a
record in such bad shape that it does not conform to the standards above.
A "Fair" record will have enough marks or significant flaws that it
does not even qualify as "Good", but is a copy you might consider
for playing, if you're willing to put up with noise and/or flaws.
An example might be a recording with surface noise so heavy that
it is equal to the volume of the music. For records listed as "Fair",
we will describe the extent of the condition in the comments.
Poor
Like "Fair", we rarely list records in this condition,
as they represent the extreme low end of spectrum.
These records typically have multiple serious problems,
and we offer them as "relics" or "objects" only — for
those who want to at least have a copy of a record,
even if it is not really worthy of play, perhaps for the cover alone.
For these records, we will describe the extent of the condition in the comments.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
The stunning second album from Mary J Blige – a record that showed that both the singer and her new form of soul music were around to stay! Production is from Sean Combs and Chucky Thompson – very heavy on beats borrowed from the underground, but nicely tuned to the mainstream – ... CD
A masterpiece of freeform funk from Mandrill – New York group at the start of the 70s, but one who work here with the best longform jamming styles of the Bay Area scene! The combo draw equal influence from jazz, funk, soul, and Latin – using all elements in a unique hybrid that's all ... CD
Rare soul gems from a legendary Philly family of labels – the Cameo/Parkway imprints, and the related Fairmount as well! Cameo and Parkway were home to plenty of pop hits at the start of the 60s – but they always put their money back into the scene, and were close to the ground digging ... CD
More hit magic from the Brothers Johnson – still working with Quincy Jones at this point, and virtually setting up the blueprint for jazzy soul in the 80s! Backings are by an all-star team, and Rod Temperton's helping out Quincy with arrangements – going for that snapping groove ... CD
A tremendous live performance from Marvin Gaye – recorded at the Kennedy Center in 1972, and based around his classic album What's Going On – yet handled in a completely different way! The set's not just a straight reading of the record – as the song order is different, and the ... CD
A killer 2CD set of funky grooves by one of the best backing bands ever! The JBs were James Brown's legendary combo during his monster funk years of the early 70s – and this well-selected compilation brings together 30 rare tracks from their best years! The set's got a great set of notes ... CD
A legendary bit of fuzzy funk from James Brown – an important collaboration with the mighty Dave Matthews, who brings a more tripped-out feel to the record than some of James' other King sessions of the time! Matthews adds in lots of psych-influenced guitar – used very different than ... CD
Rare funk from the Indy scene of the early 70s – the long-overdue release of material recorded by a really hard-jamming, horn-heavy combo! Amnesty have a sound that's awash in the best large group influences of the time – a bit of Earth Wind & Fire, a bit of Parliament/Funkadelic, ... CD
A heavy groover from Black Ice – an old school harmony act at the core, but working here in a sweet clubby mode for the 70s! The approach is quite similar to the best group soul coming from Philly at the time – with some wicked upbeat numbers that step along beautifully – not ... CD
Never-issued work from underground Atlanta soul genius Richard Marks – an artist who never got much exposure back in the day, but who kept on producing and recording funky soul nuggets on his own! Marks' later years were covered in a previous set by the Now Again label – and this time ... CD
Don't get this set mixed up with Clarence Reid's album of a similar name on Alston/Atco – as this rare date for the Tayster label is quite different – although it still shares the famous title track! Reid's in perfect rough-edged form here – almost more strongly southern soul ... CD
A lost bit of ensemble funk from the end of the 70s – served up in a mix of bass-heavy club and boogie styles! The group have a rolling groove that's a bit like some of the work by Instant Funk or other clubby funk acts – but the overall feel is a bit tighter and more small group-orient ... CD