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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A collection of late 40s sessions – including solo and trio recordings with Red Callender and Doc West from 1947; with Oscar Moore (?), Nelson Boyd, and Teddy Stewart from 1948; and a few sessions, both solo and trio, from 1949 including dates with Leonard Gaskin and Charlie Smith, and John ... LP, Vinyl record album
A nicely offbeat session from Erroll Garner – with some slightly unusual aspects, yet all the great choppy grooves we've always loved in his music! That's My Kick features a cool lineup that's somewhere in territory you might find on Verve or Prestige Records at the time – some nice ... LP, Vinyl record album
A totally unique, totally mindblowing album from Erroll Garner – and the set that made us finally fall in love with his music forever! Sure, Garner can be great on other albums – but here, he's really hitting this amazing vibe – stretching out in this rhythmic way that pushes his ... LP, Vinyl record album
Erroll Garner gets a great added boost here – thanks to Jose Mangual Jr, who plays congas on this great date from 1971! The presence of Mangual's congas make the album sound a bit like some of the George Shearing Amigos albums on MPS – a sound that still echoes the older modes of the ... LP, Vinyl record album
A very personal album from Erroll Garner, as you might guess from the title – a set of solo piano numbers delivered with an even deeper sense of lyricism than usual! Garner's still got a bit of his trademark sense of rhythm here, but he also works with a more powerful sense of flow – ... LP, Vinyl record album
With Freddie Greene on guitar, George Duvivier on bass, Eddie Shaughnessy on drums, Roy Eldridge on trumpet, Al Grey and Billy Byers on trombone, and Eddie Lockjaw Davis on tenor sax. LP, Vinyl record album
Thiele plays with his new Happy Times Orchestra, with arrangements by Glen Osser and Tommy Goodman. Also features Teresa Brewer, Steve Allen, and The Happy Girls including Valerie Simpson. LP, Vinyl record album
Dave's 1955 debut for ABC Records – a date that features McKenna playing 13 shorter tunes – all handled in solo mode with a wonderfully sensitive touch – one that's never too sleepy, but which has a personal, up-close style that's really great. Dave nicely avoids cliches of other ... LP, Vinyl record album
A great 70s album by Roland Kirk – one that features him working on a lot of short tracks, in a pretty crazy style! A number of the tracks feature Kirk's uniquely quirky reed style in full effect – often processed with added studio techniques, in a very nice way. And along side that ... LP, Vinyl record album