This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of the stranger James Brown albums from the 60s! The record is one of the only vocal albums he cut for the Smash label – and it was issued during a time when James was strangely contracted to two labels – King and Smash. His dual contract situation was that he couldn't record any ... CD
James Brown really opens up on this early 70s classic – really showing the world the amazing groove he was crafting with his band – who were let loose to jam in the studio, spinning out some really long grooves – which were then cut down to make this sweet little record! The ... CD
Not a classic from the early years of James Brown – but a later greatest hits package that's gone onto have legendary status – given all the key cuts it includes! Most numbers here are the shorter single versions – and together, they pack a hell of a punch – showing an ... CD
Here you go! Killer material from James' first version of The JBs – starring Bootsy Collins, Bobby Byrd, and Jabo Starks. Includes the 9 minute version of "Super Bad", an unreleased live version of "There Was A Time (I Got To Move)", the 12 minute version of "Soul ... CD
One of the greatest albums to ever sum up the genius of Lou Rawls in the 60s – a brilliant live set put together with the talents of David Axelrod! The record perfectly captures the easy-going soul of Rawls in the early years – a natural approach to his music that made him one of the ... CD
Seminal work by one of the biggest gospel crossover stars of the 80s – the mighty mighty David Peaston, a man with a truly god-like voice! Production on the album occasionally has too much of that 80s slickness, but even so, David's voice cuts through the whole thing with a spiritual warmth ... CD
Fantastic harmony soul! The Montclairs were a heavy vocal group, with that sweet early 70s group sound that you'd hear from east coast groups like The Whatnauts or Soul Generation – and like those groups, they kind of had a dope gangster approach that gave their work a nice contrast, and a ... CD
A double-length set – overflowing with Little Richard classics from his early years on Specialty Records! Titles include "Hey Hey Hey Hey", "Baby Face", "Send Me Some Lovin", "Ready Teddy", "Slippin & Slidin", "The Girl Can't Help ... CD
One of the greatest records to ever come out of the west coast punk scene at the end of the 70s and start of the 80s – incredibly well-penned and well-played – at a level that instantly leaves behind so many of its contemporaries! The themes of the tunes are fantastic – sung by ... CD
One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop ... CD