Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Fase Liminal (with bonus download)

LP (Item 965933) Soul Jazz (UK), 2020 — Condition: New Copy
List Price: 32.99
Also available
Enrique Rodriguez & The Negra Chiway Band — Fase Liminal ... CD 18.99

These guys have a real 70s look on the cover, and they have a strong 70s sound within – a cool contemporary take on older spiritual jazz modes – done by a largeish ensemble who recall the glory days of Impulse Records at its best! We've heard from Chilean keyboardist Enrique Rodriguez before – but in just a short space of time, he's really grown – maybe emerging with the force of Carlos Nino here, thanks to a wider musical vision that brings together saxes, flute, trumpet, percussion, and a nice range of voices – all used to augment the instrumental energy of the group at the core! And in case you're worried about Alice Coltrane rehash, don't – because there's a very original spirit here – that way-past-Coltrane territory that folks like Marion Brown or Michael White took their music in the 70s. Rodriguez operates in equally strong, equally individual space here – on titles that include "Donde", "Descenso", "Vindakalla Welukan", "Acabar De Conocerse", "Paso Firme", and "No Quiero Seguir Asi".  © 1996-2020, Dusty Groove, Inc.
(Includes download!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Baobab/Soul Jazz (UK), 1980. New Copy (reissue)
A superb record from the great Lloyd McNeil – one of the more obscure players of the spiritual jazz generation of the 70s, but an artist who always gave us his best whenever he walked into the studio! Here, the mood is a mix of modal and Latin elements, with a definite current of influence ... LP, Vinyl record album
Mustevic Sound/Soul Jazz (UK), 1976. New Copy (reissue)
An underground soul jazz classic – massive grooves from drummer Steve Reid, and exactly the kind of set that's gotten him so much attention in recent years! There's a mixture of freedom and tightness here that's really wonderful – some of the looser elements of the loft jazz generation ... LP, Vinyl record album
Jazz Masters/Soul Jazz (UK), 1974. New Copy (reissue)
A landmark bit of indie funk from the 70s – one of the few records cut by Detroit keyboardist Eddie Russ, and easily the best! The album features Russ going to town on electric piano – working with a hip combo called The Mixed Bag, which features some wicked work on flute and soprano ... LP, Vinyl record album

Horace Tapscott

Songs Of The Unsung
Interplay/Survival Research (Australia), 1978. New Copy (reissue)
Solo piano work from the magical Horace Tapscott – a blend of original compositions, plus work by hip composers like Cal Massey and Elmo Hope – key modern jazz talents with whom Tapscott genuinely shares a lineage! Tapscott's got the usual fluid touch on the keys – opening forth ... LP, Vinyl record album
Venus (Japan), 1994. New Copy
Pure genius from Andrew Cyrille – a record that's got a bit more of a soaring, spiritual vibe than some of his more freely improvised work of the past – a set that marks a key chapter in this stretch of the drummer's career, similar to his album on DIW at the same time! The group is ... LP, Vinyl record album
Provogue, 2020. New Copy 2LP Gatefold
George Benson is no spring chicken – but damn, he sounds plenty darn youthful here – working at the Ronnie Scotts club in London with some tight jazz funk backing! Benson sings as much as solos on guitar – and the whole thing is a great throwback to the sound of his 70s records ... LP, Vinyl record album
Blue Note (Spain), 1968. New Copy Gatefold (reissue)
An excellent Hank Mobley session – with an unusual twist that takes it past his earlier work! The lineup's great all the way through – with Woody Shaw on trumpet, George Benson on guitar, and Billy Higgins on drums – and the addition of Benson's guitar gives the tracks a groovily ... LP, Vinyl record album

Jiro Inagaki & His Soul Media

Head Rock (Japanese Record Day release)
Columbia (Japan), 1970. New Copy Gatefold (reissue)
A definite head rocker here – a brilliant bit of funky jazz from Japan, and a record that beautifully balances acoustic and electric elements! Jiro Inagaki plays some heavy tenor and soprano sax on the record – working with a combo that includes electric guitar, electric bass, and ... LP, Vinyl record album
Alternative Fox (UK), 1967. New Copy
Four slices of genius from this important German jazz festival of the 60s – one of the leading showcases for the best in avant garde and experimental music! The sounds here are as stunning as the lineup – maybe even more so, as there's some nicely-unfamiliar, surprisingly collaborative ... LP, Vinyl record album

Mal Waldron & Gary Peacock

First Encounter
Victor/Alternative Fox (UK), 1971. New Copy (reissue)
Far-reaching and incredibly soulful work from Mal Waldron and Gary Peacock! Both players are at the height of their powers here, and have a warmth and sense of interplay that makes the session one of the best they did alone or together during the time. The group's a trio, with Hiroshi Murakami ... LP, Vinyl record album
Columbia (Japan), 1973. New Copy (reissue)
A great live date from Bill Evans – one of his essential sides of the 70s, even if you've already got a bunch of other Evans live material! We know what you're thinking: "Do I have this one? Seems to be a lot of tunes here that I've got on other Evans recordings." But take it ... LP, Vinyl record album
Innerspace (UK), 1970. New Copy
Rare early work from Kraftwerk – a live performance done at a time when the group was maybe more tied to the freakier, fuzzier side of the German scene than some of their later spare electronics – stepping out here on long tracks that really show a great ability to jam in an extended ... LP, Vinyl record album
 



⇑ Top