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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Clea was one of a host of hip female singers that Chess was trying to bring up in the late 60s – and although she was less successful than bigger stars like Fontella Bass or Marlena Shaw, this album's in very much the same mode as some of the best Cadet female soul, with arrangements by ... LP, Vinyl record album
One of the greatest albums ever recorded by this hip vocal ensemble – set to arrangements by leader Gene Puerling, and some very swinging instrumental backings by Rob McConnell! The album's got a freer, more grooving feel than some of the group's other work – with some beautiful songs ... LP, Vinyl record album
Includes "People", "Sweet & Slow", "Broadway", "The Thrill Is Gone", "I Won't Dance", "Show Me", "See See Rider", "Honeysuckle Rose", "When Your Lover Has Gone", "Gone With The Wind", and "Do ... LP, Vinyl record album
One of Vaughan's nice jazz sides from the 50s on EmArcy, but cut with slightly larger backing, almost in the vein of some here concurrent pop oriented work at the Mercury parent label during the same time. Arrangements are by Hal Mooney, and Vaughan takes an approach that showcases how she ... LP, Vinyl record album
Classy supperclub vocals, with arrangements by Jimmy Jones, and some sweet polished singing from Bill Henderson. Most of the tracks are standards or pop – like "Am I Blue", "The More I See You", and "Twelfth Of Never – but there's a few nice lesser-known ones, ... LP, Vinyl record album
A dozen classics from sassy Sarah Vaughan's Mercury years, including "Misty", "Broken Hearted Melody", "Make Yourself Comfortable", "Autumn In New York", "Moonlight In Vermont", "How Important Can It Be", "Smooth Operator", " ... LP, Vinyl record album
Easily one of the top 5 female southern soul albums of the 70s – a landmark record that Shirley Brown never matched again! The record's got an open, honest quality that's far deeper than even other work from the time on Stax Records – a style that's partly Memphis, but which also has ... LP, Vinyl record album
Kind of a messed-up album, with a bit few too many styles running through the mix – but still with some pretty great moments! The best of these is the track "Funky", which has an amazing drum sound, especially on the intro, which has been sampled famously by Tribe Called Quest. ... LP, Vinyl record album
Probably the most successful album the Mizell Brothers ever produced, and a fine set of uptempo groovers from this female soul duet! There's some nice jazzy moments underneath the catchy lyrics, and in a way, the album's style is sort of a blueprint for the sound that would emerge over the next ... LP, Vinyl record album