This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An incredible document of late 60s America – composed and conducted by Gary McFarland, in a style that's much more ambitious than any of his other work! The album's fully titled "America The Beautiful: An Account Of Its Disappearance" – and features "movements" ... LP, Vinyl record album
If you read these pages often enough, you'll know that we're big fans of recordings made by American expatriot players while living in Europe during the 60's. The European rhythm sections often bring out new elements of their playing, and the interaction with European soloists hits modes that we ... LP, Vinyl record album
One of the better of Bethlehem's west coast sessions from the 50's, and a split LP that brings together 2 different sessions – one by trumpeter Conte Candoli, and one by drummer Stan Levey (both sessions, we think, were issued on 10" originally). The Candoli session features a quartet ... LP, Vinyl record album
Mingus live is always a treat – especially in these later years, when the fire seemed to go out of most of his studio recordings. Live, though, he always managed to kick it hard - with the sort of emotion that graced his strong early albums. And despite the fact that this one's conducted by ... LP, Vinyl record album
Classic 80's electro funk, with a couple tracks mixed by Jellybean Benitez. Toss on "Space Cowboy", "We Are the Jonzun Crew" or "Pack Jam" and pull out the linoleum, or if you're a low budget b-boy like some of us were back in the day, the flattened-out refrigerator ... LP, Vinyl record album
Man, that east coast harmony sound couldn't miss in the 70s – as proven by the huge AM radio success of New York City! The band wasn't the greatest harmony group in the world – although they did feature John Brown, who'd cut his teeth in the Five Satins – but when you teamed them ... LP, Vinyl record album
One of the all-time soul classics from Atlantic – the fantastic debut of singer Arthur Conley, introduced as a protege of Otis Redding, who also produced the record! The sound is similar to Otis' own work, but often a fair bit rawer – and Redding works here with both Jim Stewart of ... LP, Vinyl record album
One of the few full albums ever cut by The Masqueraders – a stellar vocal group who recorded some excellent singles in the 60s, and were fortunate enough to be pulled into the big time by Isaac Hayes for his Hot Buttered Soul imprint on ABC! The band mixes their smooth Memphis style with ... LP, Vinyl record album