Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Bobby Bare Sings Shel Silverstein Plus (8CD set)

CD (Item 964059) RCA/Bear Family (Germany), 1970s/Early 80s — Condition: New Copy
8CD
$216.99 ...

CD

List Price: 249.99

A huge tribute to one of the most important partnerships in country music during the 70s – the vocal talents of Bobby Bare and the offbeat songwriting skills of Shel Silverstein – one that helped both artists really hit their heights during the decade! Bare had cut some great work for RCA during the 60s, but was floundering a bit after a brief stop at Mercury Records at the end of the decade – and Silverstein was a multi-voiced artist who was part of the Chicago folk world, a member of Hugh Hefner's inner circle, and both a cartoonist and a clever wordsmith – but one who never had the right showcase for his own songs. Johnny Cash and a few others sung Silverstein songs – but it was really Bobby Bare who found the right platform for Shel's music – taking the hip Midwestern words into more of a down-home spirit in Nashville – blending things perfectly as Bare really started to explore the format of album-length expression in the 70s. This huge set brings together all the remnants of that partnership – and includes 25 unreleased tracks, plus the full albums Lullabys Legends & Lies, Hard Time Hungrys, Singin In The Kitchen, Great American Saturday Night , Down &Y Dirty, Drink & Crazy, and lots more material – plus a huge 128 page hardcover book that has a look at the career of both artists, lots of photos, lyrics, and session details too! 137 tracks on 8CDs – and a stunning collection!  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Columbia/BGO (UK), Early 80s. New Copy 2CD
Four full albums from the Columbia Records run by Bobby Bare – packaged here in a single set! Drunk & Crazy is a set that has Bobby Bare flirting a bit with some of the country rock modes that emerged more strongly in the second half of the 70s – fuller rhythms, stronger guitars, ... CD
Decca/Bear Family (Germany), Late 40s/Early 50s. New Copy
Rare hillbilly grooves from Decca Records – the kind of killer pre-country material that was not only a huge influence on rock and roll, but which will also show you that Elvis and Sun Records weren't the only people who'd figured out this kind of groove back in the 50s! The tracks are all ... CD
Bear Family (Germany), Late 20s. New Copy
A fantastic look at the legendary Bristol recording sessions from the late 20s – a set of recordings that are often billed as the "big bang" of country music – given that they helped discover Jimmie Rogers and the Carter Family – and began a huge wave of old time ... CD
Columbia/Bear Family (Germany), Late 50s/Early 60s. New Copy
The best side of the overlooked Billy Walker – his more rocking, hard-twanging numbers recorded for Columbia Records – all done at a time when the label was hitting big with other artists, even though Walker never fully got his due! Billy's maybe best known for a few western-themed ... CD
Bear Family (Germany), Late 20s. New Copy
Seminal sounds in the birth of country music – and equally important to other American folk styles as well! The music in this set all came from two special stretches of recording by Columbia Records – sessions done in Johnson City, Tennessee – in October of 1928 and 1929 – ... CD
Bear Family (Germany), Late 40s/Early 50s. New Copy
Country music talent Eddie Hill is maybe best known to the world as the guy who gave the Louvin Brothers their first work, or as a big force on the Grand Old Opry – but he's also a hell of a guitarist who cut some fantastic sides during the postwar years – records that ring out with all ... CD
Bear Family (Germany), 1940s/1950s/1960s/Early 70s. New Copy 10CD
CD...$189.99 249.99
An amazing tribute to the Bakersfield scene – one that finally gives the California city the same sort of attention that we usually see in sets dedicated to Nashville! Bakersfield is well-known as the home of Merle Haggard and Buck Owens, but the city's got a long legacy of influencing ... CD

Willie Nelson

My Own Way/Minstrel Man
RCA/Wounded Bird, Late 60s/Early 70s. New Copy
CD...$6.99 11.99
Two really great albums from Willie Nelson – back to back on a single CD! First up is My Own Way – a set issued at the height of his early 80s fame, with a picture from that time to match – but a record that actually features all these great overlooked sides from the tail end of ... CD
RCA/BGO (UK), Late 60s/Early 70s. New Copy 2CD
Four full albums from this legendary pair – packed together in a single 2CD set! First up is Just Between You & Me – a fantastic early album in the pairing of Porter Wagoner and Dolly Parton – a duo who really took the country duo style into fantastic territory with records ... CD

Buck Griffin

Let's Elope Baby
MGM/Bear Family (Germany), Late 50s/Early 60s. New Copy
Overlooked Texas genius from Buck Griffin – a singer who first recorded for the famous Lin label, then got a shot at the bigtime on MGM! Buck's maybe the epitome of a local vocal star – a singer who was on the radio daily, and who was able to absorb the best of the bigger early 50s ... CD
RCA/BGO (UK), Early 70s. New Copy 2CD
A killer 2CD set – one that features 4 full albums from the country duo of Porter Wagoner and Dolly Parton! First up is We Found It – a gem of a record from the glory days of the Porter Wagoner/Dolly Parton partnership on record – a set that's overflowing with original material ... CD
Atlantic, 1970s. New Copy 7CD
A fantastic run of records – music that firmly established John Prine as one of the most inventive singer/songwriters of the 70s! Prine rose up out of the Chicago folk scene of the 60s – but he soon became something different than just a folk or country singer – even though he ... CD
 



⇑ Top