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Detroit City & Other Hits/500 Miles From Home/Talk Me Some Sense/Bird Named Yesterday (plus bonus tracks)

CD (Item 962515) RCA/BGO (UK), Mid 60s — Condition: New Copy
2CD
$15.99 ...

CD

Four gems from the early RCA years of Bobby Bare – plus bonus tracks too! First up is Detroit City – a classic early album from the great Bobby Bare – proof that the man had plenty of charms in the years before he started working with hip singer/songwriter material! The set kicks off with the huge title cut – a track that Bobby does better than just about anyone else – and it follows with a host of well-chosen cuts and some surprisingly great originals – showing an early songwriting side of Bare that didn't always get exposure in later years! Bobby's got a great edge in his vocals, even young – less of the pop modes that you'd hear on some of his singles – on titles that include "Shame On Me", "Detroit City", "Is It Wrong", "Dear Wastebasket", "The Gods Were Angry With Me", "Book Of Love", and "I Don't Believe I'll Fall In Love Today". 500 Miles is early genius from Bobby Bare – a set that shows just how great he was at the start – able to bring a special spin to a country tune, even amidst some of the fuller Chet Atkins production at RCA! Bobby's got a very unique style – maybe more urban than you might expect, but still with a twang – a quality that always made him perfect for songs of moving and longing, as in the title cut. There's plenty of other numbers in that mode, too – including a few penned by Bobby himself – in a lineup that includes "Let Me Tell You about Mary", "Abilene", "Worried Man Blues", "Sailor Man", "Homestead On The Farm", "Gotta Travel On", "500 Miles From Home", and "I Wonder Where You Are Tonight". Talk Me Some Sense is wonderful work from Bobby Bare – a record that already shows the young singer reaching for hip material, and coming up with a mature way of putting over a tune that's unlike anyone else! There's some slight currents of folk in the music – but as with the early John Hartford records on RCA, the style is more country overall – but also in a very different space too – inheriting some of the hipper inflections of the changing 60s, even amidst familiar RCA production – which puts a really special spin on all the tunes. Titles include "A Little Bit Later On Down The Line", "Got Leavin On Her Mind", "Long Black Veil", "All The Good Times Are Past & Gone", "You Can't Stop The Wind From Blowing", "Heaven Help My Soul", "It Ain't Me Babe", and the great original "Passin Through". Bird Named Yesterday is one of the coolest Bobby Bare albums of the 60s – a precursor to some of his concept albums of the 70s, but done in a bit of a different mode too! Bobby delivers these little recitations between most of the tunes – speaking in different characters, but in a way that evokes some of the larger spirit that Lee Hazlewood brought to his projects of the period – a quality that's also echoed in the way that Bare puts over a tune – mature, and with a nice sense of distance that brings about a slight current of wit – quite unusual for RCA country at the time! The set includes some great tunes by a young Jack Clement – and titles include "Somebody Bought My Old Hometown", "The Air Conditioner Song", "The Day The Saw Mill Closed Down", "Bird Named Yesterday", "The Old Gang's Gone", and "They Covered Up The Old Swimmin Hole". Bonus tracks include "The Town That Broke My Heart", "Don't Do Like I Done Son", "Sandy's Crying Again", and "When Am I Ever Gonna Settle Down".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


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