This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Magical solo work from pianist Keith Jarrett – a set that's comprised almost entirely of standards, similar to some of the better-known trio recordings in this format by the artist – and which has Jarrett playing in this really evocative way that definitely lives up to the title! The ... CD
Subtle sounds, in a beautiful space – the well-matched soprano and tenor sax of Jan Garbarek and bass of Miroslav Vitous – given a slight extra punch from the drums of Peter Erskine! Garbarek and Vitous always sound great together – and the record gives them plenty of room to ... CD
One of the greatest records that Charlie Haden ever did, and a record that stands as sort of a bookend to his Liberation Music album on Impulse. As with that record, he's got a large group on here, and also like that one, he's playing a batch of tracks that have a definite political bent. Players ... CD
Beautiful work from Charles Lloyd – a set of compelling originals mixed with standards, both old and new, performed in a laidback style that really makes the most of his wonderful tone! Lloyd was a player who was great from the start – but in recent years, he seems to have even ... CD
The nine to get ready here are the members of Roscoe's Note Factory nonet – an ensemble that includes George Lewis on trombone, Hugh Ragin on trumpet, Matthew Shipp on piano, William Parker on bass, and Tani Tabbal on drums and percussion. The sound here is spare and textural – very ... CD
Features Jan Garbarek on tenor, soprano, percussion, and wood flutes – with Bill Frisell on guitar, Eberhard Weber on bass, and Jon Christensen on drums and percussion! CD
A great little album that's one of Getz's strongest from the period! The format for the album is in the mode of Hampton's early 50s Verve sides – long tracks, very open-ended, cut in a small group format that shows a different side than his more popular big band grooving. There's only 5 ... CD
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics ... CD