Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Sunrise Sunset

CD (Item 960844) Three Blind Mice/Craftman (Japan), 1976 — Condition: New Copy
$19.99 ...

CD

Mindblowing sounds from Japanese bassist Isoo Fukui – one of a handful of 70s players on that scene who really helped reinvent the sound of his instrument in jazz! Isoo really drives the group here up from the bottom – by playing both bass and cello with these well-inflected notes that are heavy on soul and rhythm, and which often enforce a modal sensibility that's carried out perfectly by the vibes of Kazuhiro Matsuishi and piano of Hideo Ichikawa! A few numbers feature guitar from Shoji Yokouchi, who plays with this chromatic style that really works well with the vibes – and titles include "Lady T", "Happy Walk", "7th Avenue Sunrise", "Early Summer", and "7th Avenue Sunset".  © 1996-2020, Dusty Groove, Inc.
(Part of the Three Blind Mice Supreme Collection!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Masaru Imada & George Mraz

Alone Together
Three Blind Mice/Craftman (Japan), 1977. New Copy
A beautiful showcase both for the piano of Masaru Imada and the bass of George Mraz – the latter of whom gets really respectful treatment on this Japanese-only session – in the best tradition of the Three Blind Mice record label! TBM always had a way of showcasing the bass that was ... CD

George Otsuka

Physical Structure
Three Blind Mice/Craftman (Japan), 1976. New Copy
Japanese drummer George Otsuka is always one hell of a hip cat – one of those players whose name on a record always means that we'll pick it up – and never fail to hear something wonderful! And while Otsuka first got his start working with a piano trio at the end of the 60s, this sweet ... CD
Three Blind Mice/Craftman (Japan), 1972. New Copy
An unusual little session from early 70s Japan – one that features some jazz vocals from Shigeko Toya, but also a fair bit of piano as well – set alongside backing from the trio of Masaru Imada, who plays organ on the numbers that don't feature Toya on the piano! If that sounds ... CD

Isao Suzuki

Touch
Three Blind Mice/Craftman (Japan), 1975. New Copy
Stunning sounds from Japanese bassist Isao Suzuki – a 70s player who seemed to owe nothing to anyone else on the planet with a recording like this! The set is partly fusion at the start, but never in a way that's like any of Suzuki's American counterparts – in that he can get full and ... CD
Warner/KTI (Japan), 1972. New Copy
One of the coolest records ever from guitarist Philip Catherine, and one of the funkiest too – thanks to a really sharp edge that you won't find on some of his other albums, and lots of Fender Rhodes from the legendary Marc Moulin too! Some of Catherine's other records of the 70s were a bit ... CD

Hiroshi Fukumura

Morning Flight
Three Blind Mice/Craftman (Japan), 1973. New Copy
Genius work from Japanese trombonist Hiroshi Fukumura – working here at the helm of a twin-trombone group that also features the talents of Shigeharu Mukai – in a style that's filled with soul and free-thinking imagination! The two players work together beautifully here – ... CD

Masayuki Takayanagi & New Direction For The Arts

Free Form Suite
Three Blind Mice/Craftman (Japan), 1972. New Copy
A really compelling set from this important Japanese group of the 70s – a quartet headed up by guitarist Masayuki Takayanagi – but which features a very complex balance of work from all the individual members! The set initially begins with a traditional vibe, but then seems to step out ... CD

Takashi Mizuhashi

Who Cares
Three Blind Mice/Craftman (Japan), 1974. New Copy
Who cares? We care! And it's hard not to – given the strength of this sweet little set from Japanese bassist Takashi Mizuhashi – a hell of a player who really knows how to keep things exciting throughout! The group's got some tremendous talent in the front – both Fumio ... CD

Isao Suzuki

All Right
Three Blind Mice/Craftman (Japan), 1974. New Copy
Groovy electric work – in a style that's both funky and swinging, with many different strands and styles running through at once! Isao Suzuki plays electric piano, Hammond organ, vibes, and cello – a great mix of instruments that come off surprisingly well in his hands – ... CD

Tsuyoshi Yamamoto

Midnight Sun
Three Blind Mice/Craftman (Japan), 1978. New Copy
One of the most sensitively soulful records of the 70s from pianist Tsuyoshi Yamamoto – a set that still has him working in a trio format, but which also has a slightly more mellow feel overall – with some especially great work from the leader on the ballads! Yamamoto's style is ... CD

Masaru Imada

Green Caterpillar
Three Blind Mice/Craftman (Japan), 1975. New Copy
A great little record from the Japanese scene of the 70s – a set that not only shows the great blend of acoustic and electric styles that was happening at the time, but which also really illustrates the inventive approach of the Three Blind Mice label at their best! The vibe here is very ... CD

Terje Rypdal

What Comes After
ECM (Germany), 1974. New Copy
A key album in bringing the guitar sound of Terje Rypdal to a larger audience – a wonderfully fluid electric set that opens up his sound, while still keeping all the edge from his early days! There's few players like Rypdal on the strings, and that's definitely the case here – as the ... CD
 



⇑ Top