Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Windows Of The Mind

CD (Item 958353) Crossover/We Want Sounds (UK), 1974 — Condition: New Copy
$15.99 ...

CD

List Price: 19.99
Also available
Billy Brooks — Windows Of The Mind ... LP 26.99

Funky trumpet galore – and one of the few albums ever cut by trumpeter Billy Brooks as a leader! At the time of this 1974 LP, Billy Brooks was an overlooked LA trumpeter working in the Ray Charles band – and although this record didn't bring him instant fame when it was released, it's grown to become a groove classic over time – thanks to a really unique approach to funky jazz that's even different than early 70s material on labels like CTI or Prestige! The standout cut is the sample track "Forty Days" – a masterpiece of jagged drums and floating horn work, sampled to great fame by Tribe Called Quest, and instantly famous for years after. The whole album's great, though – a funky big band mix of electric and acoustic playing, with some really mad numbers that feature a lineup that includes Herman Riley on tenor, Calvin Keys on guitar, and Lonnie Shelter on flute – plus some cool electronics from Billy, in addition to his trumpet. Tracks include "Shetter Cheeze", "Good News Blues", "Cooling It", "Black Flag", "Shetter Cheeze", and "CP Time".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Wadada Leo Smith/Douglas Ewart/Mike Reed

Sun Beans Of Shimmering Light
Astral Spirits, 2021. New Copy
CD...$8.99 14.00
Three giants of the Chicago improvised scene, coming together here in an album that recalls the best early recordings from the AACM! There's this open, collaborative spirit going on here – music that moves between structure and freedom, and which stands as a testament to the instant rapport ... CD

Alexa Tarantino

Firefly
Posi tone, 2021. New Copy
Saxophonist Alexa Tarantino just seems to get better and better with each new record – stretching out here on a range of horns that includes alto and soprano sax, plus flutes and clarinet as well – and set up in a wonderful quintet that features the vibes of Behn Gillece, piano and ... CD
GAD (Poland), Late 70s. New Copy
Some of the funkiest work we've ever heard from Polish vibist Jerzy Milian – a series of late 70s recordings that have him working with a larger ensemble in a very groovy mode! The approach is sound library or soundtrack funk at some points, but also almost gets a bit disco at others – ... CD
Columbia/BGO (UK), 1978/1979. New Copy 2 CDs
Sweet fusion from the great Lee Ritenour – three classic albums on two CDs! First up is Captain's Journey – a masterful fusion set from guitarist Lee Ritenour – one that expands his sound a bit more than usual by adding in vocals on a number of tracks – but in a way that ... CD

Jazz Q

Pori Jazz 72
GAD (Poland), 1972. New Copy
A famous live performance from this legendary Czech group – presented here for the first time ever, thanks to lost tapes unearthed at a Finnish radio station! The group are in amazing form throughout – stretching out on four long tracks that bristle with the strong imagination of ... CD
GAD (Poland), Mid 70s. New Copy
The cover bills this one as having "stunningly rich Rhodes and brass driven cuts" – and we couldn't agree more, as the group features loads of sweet keyboards from leader Janusz Koman, set up in funky orchestrations with plenty of horns! The approach is a mixture of fusion and more ... CD
GAD (Poland), 1963. New Copy
Fantastic work from a saxophonist we're hearing here for the first time ever – Boguslaw Rudzinski, who recorded this set in 1963 – right at the same time Krzystof Komeda and his generation were opening up doors in modern jazz on the Polish scene! Rudzinski is maybe a bit more inside ... CD

Jan Ptasyn Wroblewski

Slupy Milowe (with bonus tracks)
GAD (Poland), 1979/1980. New Copy
Never-issued material from Polish saxophonist Jan Ptasyn Wroblewski – material recorded at the end of the 70s for Polish Radio, done in a small combo mode that's a real back to basics change, after some of his larger projects of the decade! The setting is nice and lean – Jan on tenor, ... CD
Columbia/BGO (UK), Late 70s. New Copy 2CD
Four great albums from the 70s soul years of Johnny Mathis – all brought together in a single set, and with bonus cuts too! First up is The Heart Of A Woman – on which the voice of Johnny Mathis meets the soulful arrangements of Paul Riser and HB Barnum – all wrapped up with ... CD
Studio One/Soul Jazz (UK), Late 60s. New Copy
Rocksteady's got plenty of soul – so much so that the Jamaican style of the late 60s was also a huge influence on the sound of London as well! The music here is from a fantastic moment when Studio One was able to capture some of the best changing sounds in Kingston – older modes ... CD

Zmeczeni

Bez Tego I Owego
GAD (Poland), 1982. New Copy
A very jazzy set of sound library tracks from Poland – done in a mix of fusion and prog that's similar to some of that nation's great groups of the 70s – maybe no surprise, given that the guitarist in the group had also performed with the rock act Breakout! Yet here, the style is ... CD
Paul Winley/Traffic, 1976/1996. New Copy
A legendary album – and for good reason too – a set that's as mysterious as it is funky, and a record that's stayed at the top of our crates for years! The album features a really unusual collective of musicians, pulled together under the guidance of producer Paul Winley – a ... CD
 



⇑ Top