Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Pilot – The Albums (From The Album Of The Same Name/Second Flight/Morin Heights/Two's A Crowd/bonus tracks) (4CD set)

CD (Item 956176) EMI/7T's (UK), Mid 70s — Condition: New Copy
4CD
Out Of Stock

CD

✈

Sharp hooks, huge melodies, and 70s guitar pop greatness from Pilot – a genius pop group who only gave the world a handful of records, all of them pretty darn great! From The Album Of The Same Name includes their signature tune, "Magic" – and it's one of those songs everyone knows, whether or not they no who made it – but Pilot soars all around on these tunes. The guitars have punch, but the falsetto vocals are the main cabin of this vessel – and it's grand 70s soft rock of the first order! Other tracks include "Just A Smile", Lucky For Some", "Girl Next Door", "Sooner Or Later", "Never Give Up", "Sky Blue", "Never Give Up", and "Over The Moon". Second Flight is the excellent second album from Pilot, really perfecting the guitars, keyboards and vocals and hooks formula that shot them into the pop consciousness a year or so earlier – probably their best album ever! The opener "You're My No 1" is so catchy, we can hardly believe it's not a throwback pop radio staple, and the record has a few of tracks nearly as grand. The vocals & harmonies are better arranged, and the guitars and keyboards are in that great comfort zone between the glam pop of the previous couple years and the new wave pop to come. Somewhat silly bubble gum lyricism, sure, but it's tasty stuff! Other tracks include "January", "Love Is", "Call Me Round", "To You Alone", "Passion Piece", "Dear Artist" and more, plus the bonus demos "You're Devotion", "Love Is", "January" and "Lady Luck". Morin Heights is later work from 70s soft rock tunesmiths Pilot – a couple years on from their biggest hit, but still making gloriously catchy tunes! The hallmarks of their earlier stuff is here, with some twists & turns. The lyrics are the kind of lovestruck or lovelorn naivete that's cloying to some, and hopelessly endearing to others – relying more this time out and an overall catchiness than huge choruses and hummable singles. We'd fly with these guys anytime! Titles include "Hold On", "Canada", "First After Me", "Steps", "The Mover", "Penny In My Pocket", and "Maniac". Two's A Crowd is the last full 70s album from Pilot – just a duo by this point, but working with all the punch and panache of their early records! As before, their ability for hook-heavy tunes is amazing – as there's so many numbers here that could have been huge AM radio hits, but which also have some surprisingly thoughtful lyrical touches, and arrangements that are simple, but which really pack a hell of a punch. Titles include "Monday Tuesday", "Big Screen Kill", "Creeping Round At Midnight", "Library Door", and "Mr Do Or Die". CD features lots of related bonus tracks – including "Pamela", "Ra Ta Ta", "Just Let Me Be", "Maniac", "Us", "Lady Luck", "No Ties No Strings", "Are You In Love", "Just A Smile", and "Stop & Let Go".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Mercury/Esoteric (UK), Late 70s. New Copy 8CD
Spirit are maybe best known for their revolutionary work of the late 60s – music that took a more freeform style of jamming and focused it into some surprisingly tuneful ends – but the group were really firmly back at their best during the overlooked 70s stretch in which they recorded ... CD
Cherry Red (UK), 1981. New Copy 3CD
A huge slice of work from a crucial year in electronic music – all tracks from 1981, a time when the experiments of the 70s were giving way to more tuneful recordings of the 80s – at a level that would soon dominate the world of pop around the globe! Yet although some of these artists ... CD
Cherry Red (UK), Early 80s. New Copy 3CD
A really lovely little collection, and a set that digs deep into a time when things were moving from the fringes to the mainstream in British music – but with groups that still mostly had a real edge and a strong sense of invention! The work here is setting the scene for some of the big ... CD
Arista/Esoteric (UK), Late 70s. New Copy 2CD
A 70s gem from singer/songwriter Al Stewart – a set that was part of his long-overdue rise to global fame – after quietly giving the world a number of great and overlooked albums from the UK scene! The vibe here is similar to the preceding set – the classic Year Of The Cat – ... CD
Virgin/Esoteric (UK), 1974. New Copy
The seminal debut of Hatfield & The North – a group that maybe came a bit late in the UK prog scene of the early 70s, but who had a huge influence for decades to come! The quartet are a late transformation of the earlier Canterbury sound – leaner, maybe jazzier, and with a great ... CD
Virgin/Esoteric (UK), 1975. New Copy
A record that's maybe best remembered for its sexy 70s cover – which has more of a disco look than you'd expect from the group's sound – a mighty tight summation of British modes from the early 70s, served up by an all-star quartet with plenty of other work under their belt! At the ... CD
Dawn/7T's (UK), Early 70s. New Copy 5CD
The complete early works of Mungo Jerry – one of the most unique groups on the British scene in the early 70s! Mungo Jerry have a style that's strongly influenced by American roots – blues, folk, hillbilly, jug, and string band sounds – of the sort that you'd hear reworked in ... CD
EMI/Music On Vinyl (Netherlands), Early 70s. New Copy
Brilliant work from CCS – a jazz-rock big band led by UK blues rocker Alexis Korner, arranged by Brit easy maestro John Cameron, and produced to full strength by the legendary Mickie Most! The group had a sound that was really great – with lots of fuzzy guitars up front in the mix, ... CD

Ant Trip Ceremony

24 Hours
Cicadelic, 1968. New Copy
CD...$4.99 14.99
A college band, but one with an amazing sound that should have made them huge – had they managed to survive graduation time at Oberlin College! For a combo out in the sticks of Ohio, these guys sound pretty darn great (but let's also not forget that Oberlin's given us Liz Phair, John ... CD
Cicadelic, Late 60s. New Copy
CD...$4.99 12.98
Groovy mid 60s material from The Jujus – from ultra catchy garage rock to more of a psychedelic sound that's just as tuneful – a nice compilation of singles are rarities from 1965-1967! The set actually includes all of the singles by the Jujus and a wealth of rarities and alternate ... CD
Cicadelic, Mid 60s. New Copy
Rare mid 60s Dallas material – great stuff by the The Exotics and the Esquires – raucous, yet melodic tracks on the edge separating garage and psych! The Exotics were rock band with roots as far back as the late 50s scene, but these mid 60s tracks are very much of their time. The ... CD

Lord Sutch & Heavy Friends

Lord Sutch & Heavy Friends
Cotillion/Esoteric (UK), 1970. New Copy
The lasting legacy of Screaming Lord Sutch – and an album that's almost equally well-known for its work by a host of famous guests – including Jeff Beck, Jimmy Page, John Bonham, and others! Page is perhaps the most involved here – as he produced the set with Sutch, co-wrote some ... CD
 



⇑ Top