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Mith
LP (Item 955688) Dust To Digital, 2018 — Condition: Sealed 2LP Gatefold
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Lonnie Holley has always been very much his own man – in his artwork, in his cultural presence, and even in his music – which has always been pretty darn hard to describe! Holley sings with the up-close expressiveness of a jazz singer, yet also references plenty of bluesy roots as well – but never in a mode that's blues at all, even though that's where so many others try to put him! Instead, it's almost like Holley is inventing his own sort of musical style – a bit like Terry Callier did at the start of the 70s, or Nina Simone a few years before – and while Lonnie's mode is completely different than Terry's and Nina's, it also shares a similar complexity, spirituality, and immediate sense of identity. Holley plays piano, often in these weird echoey, fluid modes – and other instrumentation includes equally echoey percussion, moog, trombone, and some very cool tape and electronics – on titles that include "I'm A Suspect", "I Snuck Off The Slave Ship", "Copying The Rock", "There Was Always Water", "How Far Is Spaced Out", "I Woke Up In A F*cked Up America", and "Back For Me". © 1996-2024, Dusty Groove, Inc.
Sealed
This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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