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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
50's sound effects record that features some pretty basic stuff – like a ping pong game, foghorn, trains, planes, sirens, subway train, roller coaster, thunder, and, of all things, "Laura" (?). LP, Vinyl record album
A very cool album – some unusual jazzy instrumentals, recorded in Chicago in support of a paper company! The musicians including a host of CSO and studio players, working in a mix of mod and easy instrumental styles – on titles that include "Harpanova", "Blue Line", ... LP, Vinyl record album
An obscure Danish set – with Ole Nordenhof on piano, Jesper Zeuthen on alto, Thomas Frovin on drums, and Poul Ehlers on bass! Tracks are nice and long, with some really bold interplay between the alto and piano – all original material too! LP, Vinyl record album
Albert Mangelsdorff, Gunter Sommer, Trevor Watts, & Others
An all-star group, working together here in Prague – with work from Albert Mangelsdorff and Radu Malfatti on trombones, Jiri Stivin on flute and alto, Trevor Watts on soprano and alto, Rudiger Carl and Alan Skidmore on tenor, Willem Breuker on bass clarinet and alto, Rudolf Dasek on guitar, ... LP, Vinyl record album