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(Cover has light wear, yellowing from age, clear tape holding the bottom seam, and a small sticker in back.)
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
A great collaboration between Perez Prado and trumpeter Shorty Rogers – one in which Rogers' solos sparkle brilliantly over the top of Perez's tight Latin rhythms – all in a style that's as moody as it is evocative and rhythmic! Side one features the extended "Voodoo Suite" ... LP, Vinyl record album
The rebirth of the Afro-Cuban groove on the New York scene of the 70s – a dozen recordings in the "new traditionalist" sound of the time! After the boom of the Latin Soul sound of the late 60s, and the rise of salsa in the early 70s, there was also a "back to basics" ... LP, Vinyl record album
A strange little record that's indicative of some of the unusual musical practices that were living side by side in a city like Chicago during the postwar years! McLawler and Otto play organ and violin, respectively – and they have a style that mixes jazz with kind of a classier instrumental ... LP, Vinyl record album