Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Flamagra – Instrumentals

CD (Item 952164) Warp, 2020 — Condition: New Copy
$13.99 ...

CD

List Price: 14.99

We really loved the Flamagra album from Flying Lotus, but this set of instrumentals maybe shows off even more of the deeper currents in his music! The record's not the usual instrumental variant – in that these tracks don't really come across as cuts with the vocals removed – and instead feel like all new jazz interpretations of the original album, with contributions from a great array of guests – including Robert Glasper, Herbie Hancock, Miguel Atwood-Ferguson, Brandon Coleman, Taylor Graves, and others – all moving together in a mix of spaced-out jazz, heavy funk, and some key cosmic touches – a beautiful blend of soul and sci-fi that really furthers the Flying Lotus legacy. Titles include "Heroes In A Half Shell", "Post Requisite", "All Spies", "Takashi", "Spontaneous (inst)", "The Climb (inst)", "Find Your Own Way Home", "Debbie Is Depressed", "Andromeda", "Say Something", "Hot Oct", "Thank U Malcolm", and "Burning Down The House (inst)".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Flying Lotus

Yasuke
Warp, 2021. New Copy
Flying Lotus always gives us some pretty fantastic sounds – and this time around, he opens up an even new channel of his genius – serving up a mix of instrumental and vocal tracks that were originally designed for use in the anime series Yasuke! There's certainly a touch of the eastern ... CD

Badbadnotgood

Talk Memory
Innovative Leisure, 2021. New Copy
A really different sort of record from Badbadnotgood – and we mean that in the best way possible, as the group are really maturing and opening up their sound! The core blend of funk and jazz elements is still at play on the record – but there's also a more expansive vibe too, one that ... CD

Hiatus Kaiyote

Mood Valiant
Brainfeeder, 2021. New Copy
Hiatus Kaiyote are one of those groups that just seem to grow and grow with each new about – a strongly soulful act at their start, but one who've found a way to carve out sounds and styles that are very much their own – maybe almost making themselves a genre in the process! Things ... CD

Mount Fuji Doomjazz Corporation

Egor
Denovali, 2012. New Copy
A live recording from the Mount Fuji Doomjazz group – the alter ego for the Kilimanjaro Darkjazz Ensemble, and working here in very similar territory – but with longer tracks that space the sound out even more! Despite the live performance of the group, the sound still has all the ... CD

Thundercat

It Is What It Is
Brainfeeder, 2020. New Copy
A tremendous album from Thundercat – an artist who just seems to get better and better with every new record, and who's maybe here defining a genre that's completely unto himself! The record is soulful, and has a lot of contemporary cosmic currents – but it's also more far-reaching and ... CD

Kilimanjaro Darkjazz Ensemble

Mutations EP
Denovali, 2009. New Copy
The second album from this unusual ensemble – a group who maybe take the "dark" in their name a bit more strongly than the "jazz" – and who work here without any real connection to the culture of Kilimanjaro at all! Yet despite that distinction, there's definitely ... CD

Sault

9
Forever Living Originals (UK), 2021. New Copy
Fantastic music from Sault – a record that explodes way past some of their previous releases, and really shows the group evolving in their sound – even if they are still keeping their cover art in the same very understated territory! There's a sense of urgency as the album begins ... CD
Sdban (Belgium), 2018. New Copy
The jazz cats here are all pretty contemporary – younger musicians and combos on the current scene in Belgium – which turns out to have a fantastic array of really fresh sounds! Some groups play straight, some maybe use a bit more electronics – others are more acoustic than ... CD

Nicola Conte & Gianluca Petrella

People Need People
Schema (Italy), 2021. New Copy
A more spiritual soul-based setting than usual for the talents of Nicola Conte – a long-awaited full length set, served up after a host of 12" single collaborations with Gianluca Petrella! Petrella's presence is felt in the way the tunes unfold – often with strong contributions ... CD
Expansion (UK), 2013. New Copy
CD...$8.99 16.99
Hardly the chillout set you might expect from the cover – no beachy cliches at all – and instead, a killer batch of underground soul and club tracks, put together in a way that really represents some of the most exciting musical growth of the past few years! There's a classic sound at ... CD
Z Records (UK), 2000s. New Copy 2CD
A stunning selection of the sorts of music that really set the London scene on fire at the start of the century – the new wave of broken beat artists who sprung up in the wake of jungle – a whole new generation of producers and performers that really reinvented the sound of the ... CD

Sean Khan with Hermeto Pascoal

Palmares Fantasy
Far Out (UK), 2018. New Copy
CD...$8.99 16.99
The deepest record we've heard so far from London's Sean Khan – and that's saying a lot, as we really loved his previous albums! Sean got his start on the broken beat scene a number of years back, and has slowly been evolving into more of a jazz-based artist – which he hits ... CD
 



⇑ Top