Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Jezebel (180 gram pressing)

LP (Item 952161) Island/Music On Vinyl (Netherlands), 1976 — Condition: New Copy
(reissue)

A nice heavy platter from former Treasure Isle star Justin Hines and his backing group the Dominos, featuring production by Jack Ruby and the backing of the Black Disciples band, the team that helped Burning Spear craft some of his best roots albums. While Hinds had a rawer, less polished approach to his own singing, and the vocal harmonies of the Dominos followed suit, that's what makes this set stand out from the rest of the pack Island was recruiting at the time, and the Black Disciples craft some tough rhythms for a great mid 70s roots side. Includes "Fire", "Prophecy", a nice recut of his earlier hit "Carry go Bring Home", "Dip And Fall Back", "Natty Take Over" and "What You Don't Know".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Mango/Universal (Netherlands), 1984. New Copy Gatefold (reissue)
A seminal set from Linton Kwesi Johnson – the kind of well-done early 80s set that had the UK scene showing the Jamaican one how to take some of its best elements and move forward – as the words and knowledge of Linton come into play with heady backings from Dennis Bovell and The Dub ... LP, Vinyl record album
Taxi/Music On Vinyl (Netherlands), 1981. New Copy (reissue)
Jimmy Riley's definitely rhythm-driven here – given that the set was issued on the Sly & Robbie label Taxi, and also produced by the heavy rhythm duo themselves! Yet Jimmy's also the main star too – singing here with righteous, uplifting vocals that are very much in the best Island ... LP, Vinyl record album
Trojan/Music On Vinyl (Netherlands), 1975. New Copy (reissue)
Fantastic stuff – and a record that's as much an early 70s reggae set as it is a strong bit of east coast soul – Kingston rhythms mixed with fantastic harmonies that maybe echo more of the East Coast group soul modes than some of the earlier Jamaican groups of the 60s! The choice of ... LP, Vinyl record album

Lee Perry & The Upsetters

Return Of Django (180 gram pressing)
Trojan/Music On Vinyl (Netherlands), 1969. New Copy Gatefold
An early moment of genius from the legendary Lee Perry – and a set that uses Django imagery from Italian westerns to serve up a "bad boy" version of Jamaican music for the late 60s! Even at this early point, the sounds are mindblowing – rocksteady brought through a really ... LP, Vinyl record album
Trojan/Music On Vinyl (Netherlands), 1969. New Copy (reissue)
The legendary Freedom album from Clancy Eccles – one of the first great talents to emerge in the Jamaican scene of the 60s – a singer whose recorded history even predates rocksteady and ska, and who had an undeniable impact on the early sound of reggae! Eccles is a genius – a ... LP, Vinyl record album
Dread At The Controls/Music On Vinyl (Netherlands), 1979. New Copy (reissue)
Mikey Dread's at the controls, and the album's a classic example of his ability to bring many different creative strands together at once – working the same sort of magic on record that he did on his famous radio show! The record's this wonderful mix of dubby rhythms, spacey production, and ... LP, Vinyl record album
Trojan/Music On Vinyl (Netherlands), 1968. New Copy (reissue)
A classic album from the late 60s run of Trojan producer Dandy – working here under the guise of Brother Dan All-Stars – with a lineup that features some secret help from the rest of the Trojan scene! The groove is mostly rocksteady, with the strongly soulful current that Dandy brought ... LP, Vinyl record album

New Age Steppers

New Age Steppers
On-U Sound (UK), 1981. New Copy (reissue)
The first album from the New Age Steppers, the first album on the On-U Sound label, and one of the first true moments of brilliance from producer Adrian Sherwood – the start of a great legacy to come! The group and Sherwood draw inspiration from Jamaican rhythms, but are much more in a post-p ... LP, Vinyl record album
Honey Pie, Late 50s/Early 60s. New Copy
Jazz in Jamaica, and a whole lot more – as the set brings together some key moments when the music was really shifting down in Kingston – still years before ska, rocksteady, and reggae, but with some definite differences in the way things come across! The Alpha Boy's School is a ... LP, Vinyl record album
Soul Jazz (UK), Mid 70s. New Copy 2LP Gatefold
Some of the most righteous sounds ever recorded at the legendary Studio One label in Jamaica – 70s music that marks a time when the company was moving into some of the more thoughtful, meaningful lyrics that rose to prominence during the rasta generation! The shift is no surprise, given that ... LP, Vinyl record album
Parlophone, 1972. New Copy 2LP Gatefold (reissue)
A massive live set from Hawkwind – recorded early in the group's career, at a time when they were maybe at their space rock height – playing a concert gig as part of a special party in the UK! There's a really sinister vibe to the tracks – maybe because of the live setting, which ... LP, Vinyl record album
 



⇑ Top