This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Billie's last recordings, and an incredibly striking batch of songs arranged by Ray Ellis with a sad, fragile ege that's perfect for the style of her later work. Billie's voice is faltering, but in a way that only makes the songs sound more personal and more compelling – and although ... LP, Vinyl record album
A standout late 60s set from ol' blue eyes – and a record that gave him one of the last great songs of his career! The title cut's a well-known gem, but the whole thing's pretty sweet – arranged and conducted by Don Costa, and done in that maturing masculine mode Sinatra was hitting at ... LP, Vinyl record album
A very different take on this score than the vocal one – thanks to great work from Victor Feldman on both piano and vibes – in a hip trio with Bob Whitlock on bass, and the great LA drummer Lawrence Marable – who really keeps things great at the bottom! Titles include "Typica ... LP, Vinyl record album