This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Madly tripped out guitar funk – and a real turning point in the career of guitarist Eddie Fisher! Eddie began his career as a straighter guitarist on the St Louis scene – and although his first album for Cadet was a relatively traditional soul-jazz outing, this one's a wild batch of ... CD
A post-Basie session from the Count Basie Orchestra – recorded after the Count had passed away, and Frank Foster returned from his wayward years to assume leadership of the group! The sound here is very much in the best Basie mode of the late 50s and early 60s – extremely fluid large ... CD
A pretty great little live set – recorded at the Montreux Jazz fest in 1973, and featuring one of the better McCoy Tyner groups of the time! The album's a key set in McCoy's stretching out after the passing of Coltrane – a record that draws strongly from his 60s spiritual heritage, but ... CD
A great CD that combines most of the material on Art's two albums for Argo – Art (1960) and Perception (1961). Art is a beautiful album of understated brilliance – one of Farmer's early shifts into the sublime, an easily blown batch of trumpet tracks played with trio backing by Tommy ... CD
Classic hardbop from the west coast – a set of live recordings done at the Black Hawk jazz club in San Francisco at the end of the 50s, featuring Shelly Manne at the head of a group that includes the great Joe Gordon on trumpet! Tracks are longer, livelier, and have a lot more solo room and ... CD
Something wonderful happened to Coleman Hawkins at the end of his career – record companies started letting him record in really long formats, stretching out creatively on extended solos that continued to push the boundaries of his talents! This set is a prime example of that shift – ... CD
A romping little session from Buck Clayton and Buddy Tate – served up in a looser, more relaxed setting than the former's albums for Columbia, and a slightly more swing-based mode than the latter's dates for Chess! Both horn players get plenty of room to solo in the open-ended Swingville ... CD
A great little album from Kenny Burrell – one that has Ray Barretto's congas on most cuts, giving the album a similar Latiny feel to Kenny's classic Midnight Blue album on Blue Note! The Latin undercurrent hits both New York and bossa-styled modes – a great setting for Burrell's thin, ... CD
A live date with Art Pepper on alto sax and clarinet, Duke Jordan on piano, David Williams on bass, and Carl Burnett on drums. Tracks include "Caravan", "Blues Montmartre", "You Go To My Head", "Cherokee", "All The Things You Are", and "Besame ... CD
16 of Otis Redding's best numbers, pulled together out of the Stax vaults after Atlantic had more or less completely taken over the Memphis label. Includes "I Can't Turn You Loose", "I've Been Loving You Too Long", "Fa-Fa-Fa-Fa-Fa (Sad Song)", "Try A Little ... CD