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Les Interpretes De Serge Gainsbourg (180 gram pressing)

LP (Item 947622) Universal (France), Late 50s/1960s/1970s/Early 80s — Condition: Near Mint-
2LP Gatefold

Interpretations of legendary Serge Gainsbourg numbers from the late 50s onward – including a few featuring Serge himself cooing along with his chanteuses Bridget Bardot and Jane Birkin, plus those beautifully ladies covering Serge solo – plus versions by Michelle Arnaud, Juliette Greco, Jacque Dutronc, France Gall, Francoise Hardy and more! Filled with iconic, classic versions with a focus and the sexier, female fronted numbers – but not exclusively of that realm, and a nice cross section of classic Serge and Serge inspired grooves all around. 27 tracks on the 2LP version: "Le Poinconneur Des Lilas" by Les Freres Jacques, "Douze Belles Dans La Peau" by Michele Arnaud, "Base-Ball" by Eddy Mitchell, "Laisse Tomber Les Filles" by France Gall, "Harley Davidson" by Bridgette Bardot, "Sou Le Soleil Exactement" by Anna Karina, "69 Annee Erotique" by Serge Gainsbourg & Jane Birkin, "Comme Un Boomerang" by Etienne Daho & Dani and more.  © 1996-2020, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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