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Esterno Notte Vol 3 – The Ultimate Italian Cinematic Prog & Urban Jazz-Funk Collection 1974 to 1979 (180 gram pressing)

LP (Item 945782) Four Flies (Italy), Mid 70s — Condition: New Copy
2LP Gatefold
List Price: 44.99

A great entry in this very groovy series – one that shifts the title a bit from previous volumes, and which also moves the music a bit too – but all while staying pretty darn funky! The set's got much more of a 70s soundtrack vibe than some of the other entries – loads of great keyboards, heavy basslines, riffing guitar, and other elements that are often used in ways that remind us of the bigger blacksploitation and crime/cop work of the decade – but cooler, hipper, and a lot more obscure! Titles include "La Professoressa Di Scienze Naturali" by Alessandro Alessandroni, "Addio Ultimo Uomo" by Franco Godi, "Uragno Sulle Bermuda" by Stelvio Cipriani, "L'Occhio Dietro La Parete" by Pippo Caruso, "A Pugni Nudi" by Franco Bixio/Fabio Frizzi/Vince Tempera, "Le Evase" by Pippo Caruso, "La Sbandata" by Domenico Modugno & Gianni Oddi, "Afrika Erotika" by Alessandro Blonksteiner, "Nove Ospiti Per Un Delitto" by Carlo Savina, and "Maladolescenza" by Pippo Caruso.  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


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Four Flies (Italy), Late 60s/1970s. New Copy
Sunny grooves with a fantastic sound – music that echoes some of our favorite Italian soundtracks of the 60s and 70s – but most of it previously unreleased! The work here is from undertapped sources of the period – not some of the oft-compiled songs from the Italian ... LP, Vinyl record album

Augusto Martelli

Nella Misura In Cui
Four Flies (Italy), 1979. New Copy
A sweet little entry in the small Italian genre of "erotic films on island location" – served up with this fantastic blend of 70s instrumentation and older exotica percussion! The setting is the Caribbean, but that's more in fantasy than the musical styles within – as Augusto ... LP, Vinyl record album

Luis Bacalov

La Strega In Amore
CAM/Sugar (Italy), 1966. New Copy
A wonderful early soundtrack from Luis Bacalov – much jazzier than some of his later work, with a vibe that's right up there with some of the more jazz-based work of the Italian scene in the earlier part of the 60s! There's a cool wordless vocal from Nora Orlandi on a few tracks, and nice ... LP, Vinyl record album

Armando Trovajoli

Il Vuoto
Four Flies (Italy), 1964. New Copy
Early work from the tremendous Armando Trovajoli, but a set that shows that the maestro was already at the top of his game – coming off of some great experience on the Italian jazz scene of the late 50s, and able to blend that experience with more cinematic modes! The vibe here is different ... LP, Vinyl record album
AMS/Cinevox (Italy), 1970. New Copy Gatefold
A very spooky score for this film that's also known in America as "The Cat With Nine Tails" – the second collaboration between Ennio Morricone and noted horror director Dario Argento! The album's a bit different than some of Morricone's other work on horror films – and at ... LP, Vinyl record album
RCA/GDM (Italy), 1969. New Copy Gatefold (reissue)
One of Ennio Morricone's most famous film scores – and certainly the one that got him recognized as a genius on a global level! The whole thing's pretty damn eerie – about as eerie as the movie, which is a real stunner – and it shifts from dark orchestral themes to sparer numbers ... LP, Vinyl record album
Cinevox (Italy), 1974. New Copy (reissue)
A funky soundtrack for this film about fist fighting – scored by the great Franco Bixio with the same sense of punch and power he brought to his crime and cop scores! The music's got this great blend of strings and pulsating passages – a sense of drama that's never overdone, and which ... LP, Vinyl record album

Piero Umiliani

Paranoia
Four Flies (Italy), 1968. New Copy Gatefold
Fantastic music from the great Piero Umiliani – one of Italy's greatest soundtrack composers, and definitely at the top of his game here! The music was recorded right around the same time as Umiliani's legendary work for Sweden Heaven & Hell – and there's a similar mix of styles ... LP, Vinyl record album

Sandro Brugnolini

Superground (180 gram vinyl)
Four Flies (Italy), 1969. New Copy (reissue)
Some of the trippiest sound library material we've ever heard from Sandro Brugnolini – in part because the core group here is a psychedelic combo, which might have led to a few of the tracks being used in a short animated film on Sharon Tate and Charles Manson! Yet as with most of the great ... LP, Vinyl record album

Paolo Vasile

Controrapina
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Pye/Trunk (UK), 1974. New Copy
That's an angry-looking James Coburn on the cover – a tipoff that you're in for something really special on the record – one of the best-ever soundtracks from the mighty Roy Budd, the man who also gave the world the superb score for Get Carter! There's a few elements here that echo the ... LP, Vinyl record album

Jean-Claude Nachon

La Femme Objet
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