This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
The first album from Phineas Newborn in a number of years – and a set with a strong enough sound to warrant the "Phineas Is Back" in the title! Newborn's sound here has hardly dimmed at all – and he's still got that great blend of complicated flourishes and bluesier ... CD
The Newborn Touch is always a great one, but it sounds especially nice on this record – a set that seems to go even farther than any of Phineas' earlier trio sessions! There's an almost-ambitious sound to the record that we really like a lot – one that possibly comes from Newborn's ... CD
Excellent set of LA hardbop tracks by the great tenor player Teddy Edwards, with a group that includes Joe Castro, Leroy Vinnegar, and Billy Higgins. Edwards' tone is fantastic, and the tracks give him a chance to show off his soloing talent in a way that he didn't always reach on other recordings. ... CD
Charlie Mariano was one of the best things to ever happen to Shelly Manne – as the young altoist's icy talent was a perfect match for Manne's west coast cool, but his Boston soul really added a lot more emotional depth than had ever been previously recorded on some of Manne's sessions. This ... CD
Our favorite-ever album by Alice Coltrane – a masterpiece of spirit and soul, recorded in a wonderfully open-handed style! The album's mostly a spare batch of tracks cut by Alice and her trio with Ron Carter and Ben Riley – but also features some guest work on sax by Joe Henderson and ... CD
Fantastic work from a lost chapter of Coltrane's career! Sure, you may know his early work with Miles Davis, or his groundbreaking later recordings on Atlantic and Impulse – but in the late 50s, 'Trane recorded some fantastic sides with trumpeter Wilbur Harden for Savoy Records, and the ... CD
Mindblowing work from Alice Coltrane – an album of incredible beauty that easily sits with the best of her classic early recordings for Impulse! The album's got a spare, contemplative quality, but it's also never sleepy – and instead steps forth with the tonal building and modal moving ... CD
A stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! There's a sharp edge here, but there's also a soulful ... CD