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Latin Beats – A Tribute to Tito Puente (3LP set)
LP (Item 945038) Mr Bongo (UK), Late 60s/1970s — Condition: Very Good 3LP Gatefold
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A great set of Latin grooves – and a fitting followup to Bongo's Brazilian Beats set! Forget the "tribute to Tito" in the title – because this is more just a great compilation of hard Latin than it is any sort of hommage to the great Latin percussionist! But Tito is on the record, as well as a host of older Latin artists from the Latin Soul and Latin Funk eras, as well as a few newer players. There's a total of 18 cuts in all – including "Tito's Odyssey", Watu Wasuri", "Black Breother", "110th & 5th Ave", and Hit The Bongo" by Tito, plus "Hotel Alyssa Soussie" by Sabu Martinez, "Rompe Cocorico" by Juan Pablo Torres, "Om Mani Padme Hum" by Sahib Shihab, "Jive Samba" by Jack Costanzo & Jerry Woo, "Soul Drummers" by Ray Barretto, "Tighten Up" by Al Escobar, "Babarabatiri" by Beny More, "Land Of Love" by Louie Ramirez, "Coccinando" by Ray Barretto, and "Nervous Track (Yellow mix)" by Nuyorican Soul. Also features a Bongo remix of Tito's "Oye Como Va"! A good set, and the kind of solid batch of Latin you can put in the crate next to the NuYorica and Latin Spectrum comps! © 1996-2024, Dusty Groove, Inc.
Very Good
- Vinyl can have some dirt, but nothing major.
- May not shine under light, but should still be pretty clean, and not too dirty.
- May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
- May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
- This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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