This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
(Promotional copy with a piece of clear tape on the artwork spine.)
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A masterpiece of smooth jazzy funk – and super-hip session headed up by the young keyboardist Bernard Wright! Wright's working here with an insider crowd of jazz funk players that includes Bobby Broom, Dave Grusin, Marcus Miller, and Don Blackman, whose funky style is very similar to Wright's ... CD
Warm and wonderful work from Phyllis Hyman – a set that's a lot more mainstream soul than her music of a few years before, but she delivers it with a strong commitment to the more complicated styles of her roots! The sound here is full and proud – a nice extension of the work that ... CD
Killer work from the mighty Norman Connors – a set that's heavy on grooves, but which has all the jazzy depth of his early work too! The set features arrangements by some killer modern soul talents – Al Johnson, McKinley Jackson, and Paul Riser – who beautifully blend their own ... CD
One of the high points of Larry Graham's career – a hard-jamming set of guitar-based funk that forever put Graham Central Station on the map! There's a virtuosity to the record that's really stunning – bass, guitar, and drums all dropping into place magically alongside one another ... CD
A sweet lean set from T-Connection – still every bit as funky as back in their late 70s years, but with a different sort of style for the new generation! The music's got that great 80s groove approach that Capitol Records excelled at during the time – and the group's a bit more ... CD
Rick James is massively throwing down on this classic set – tight, right, and on the money all the way through – in that trademark groove that so many others would try to cop, but never get this right! The album bristles with energy right from the start – lots of bass at the ... CD
Sweet dancefloor soul from an early 80s line-up of The Ritchie Family – this one featuring Linda James, Jacqui Smith-Lee and Vera Brown – going All Night All Right on a strong batch of synth flavored grooves! The bigger hits of the commercial disco boom were well behind them by this ... CD
A blistering little set from Funkadelic – one that features the return of Eddie Hazel's guitar, finely honed to the leaner, more soul-based sound of the group in the mid 70s! The title is prophetic, as the group are really "standing on the verge" here – working hard to ... CD
Caron Wheeler's first album after parting company with Jazzy B & Soul II Soul – still done in a very Soul II Soul-like style, though, with plenty of chunky beats that work well with Caron's deeply soulful vocals. There's a different producer on nearly every track – including Carl ... CD