Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Swiss Radio Days Vol 11 – Don Redman Orchestra, Geneva 1946

CD (Item 944713) TCB (Switzerland), 1946 — Condition: New Copy
$4.99 ...

CD

List Price: 15.99

A great live set from one of the large group giants – alto saxophonist Don Redman, one of the key 40s forces in bringing things forward from the swing years to the generation of modern jazz! That shift is heard here beautifully – on tunes recorded for Swiss Radio in the mid 40s, with an excellent lineup that also includes Don Byas on tenor, Peanuts Holland on trumpet, Quentin Jackson on trombone, Billy Taylor on piano, and Tyree Glenn on both trombone and vibes – the latter of which get some great space at the start of the set. Arrangements are nearly all by Redman, and all mighty fresh – and titles include "Laura", "Embraceable You", "Tea For Two", "These Foolish Things", "Stormy Weather", "Carry Me Blues", and "How High The Moon".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


MustHaveJazz/Membran (Finland), 2020. New Copy
A gem of a record from Finnish saxophonist Timo Lassy – a straight jazz set that reunites him with members of the Ricky Tick Big Band – including some of the musicians who first made big waves with Timo on record in the early part of this century! Lassy's at his best here – ... CD
TCB (Switzerland), 1956. New Copy
CD...$4.99 15.99
Count Basie cooks things up nicely here – really taking off in a live setting with that renewed energy that made his work of the 50s some of his best! The group here is large, but can swing with effortless ease, and stop and turn on a dime – tremendous accomplishments from a lineup ... CD
Impulse (Germany), 1971/1972. New Copy
A pair of Impulse Records classics from Archie Shepp! Things Have Got To Change is wonderful post-Paris work from Archie Shepp – a record that has him bringing more focus back into his work after sessions overseas – and also making some great use of the legendary Joe Lee Wilson on ... CD
Impulse, 1969/1971. New Copy
CD...$8.99 16.98
Brilliant late work from Ayler – 2 albums in a single set! The Love Cry session has none of the jazz-meets-other music feel of some of the other Impulse albums – and is more in the straight expressive style of the ESP recordings. Tracks are more reined in here – with some short ... CD

Quincy Jones

Smackwater Jack
A&M/Verve, 1971. New Copy
CD...$9.99 11.98
A great bit of 70s electric work from Quincy – and probably his funkiest album ever! Quincy's really stepping out here from the straighter and spacier styles of earlier records – going for more of the dirty grooves he was cutting up for soundtrack albums, and hitting notes that were a ... CD

Bobbi Humphrey

Fancy Dancer
Blue Note, 1975. New Copy
CD...$9.99 11.98
Sublime genius from funky flute player Bobbi Humphrey – a record we'd rank right up there with her classic Blacks & Blues set – and like that one, another fantastic collaboration with producer Larry Mizell! The groove here is tremendous throughout – a heady mix of Bobbi's ... CD
TCB (Switzerland), 1967. New Copy 2CD
A really fantastic live performance from the Charles Lloyd group of the late 60s – a double-length set that's a wonderful complement to their classic albums on Atlantic Records! The group is great – a young Keith Jarrett on piano, Ron McClure on bass, and Jack DeJohnette on drums ... CD

Kidd Jordan/Joel Futterman/Alvin Fielder

Spirits
Silkheart (Switzerland), 2020. New Copy
A wonderful set, and one that's definitely filled with spirits – most particularly from the tenor of Kidd Jordan, which has all this subtle power behind it, at a level that really gives proof to Jordan's many years on the freer side of the jazz spectrum! The trio here also features Alvin ... CD

Steve Swell Quinet Soul Travelers

Astonishments
Rogue Art (France), 2020. New Copy
One of the most righteous albums we've ever heard from trombonist Steve Swell – a great follow-up to his Soul Travelers album – and, like that one, done in this majestic mode that hearkens back to the hippest sounds of the loft jazz years! Swell's group is fantastic – with Jemeel ... CD
Capitol/ESC (Germany), 1974. New Copy
A jazz fusion classic from Atmospheres – a hip group led by reedman Clive Stevens, and which also features some usually-mellower players really taking off together! Stevens blows a great range of horns – electric and acoustic tenor, sopranos sax, and often a wah-wah pedal to inflect ... CD

Howard Riley

Three Is One
Asc, 2007. New Copy
A really inventive record from British avant piano legend Howard Riley – and that's saying a lot, as Riley is always pretty darn inventive! The set follows on a mode that Howard first begun during the 70s – and uses overdubbing to record him working on three different pianos as a trio ... CD

Horace Tapscott/Pan Afrikan Peoples Arkestra

Flight 17
Nimbus, 1978. New Copy
One of the most ambitious albums ever from pianist Horace Tapscott – a double-length set that has him working with a large lineup of underground musicians from the 70s Los Angeles scene – all united in spirit and power as the Pan-African Peoples Arkestra! Tapscott's piano directs the ... CD
 



⇑ Top