Art Pepper : Promise Kept – The Complete Artist House Recordings (So In Love/Artworks/New York Album/Stardust/bonus tracks) (5CD set) (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Promise Kept – The Complete Artist House Recordings (So In Love/Artworks/New York Album/Stardust/bonus tracks) (5CD set)

CD (Item 944065) Artists House/Omnivore, Late 70s/Early 80s — Condition: Used
5 CDs
Out Of Stock

CD

✈
Five tremendous albums from saxophone genius Art Pepper – presented here with a lot of bonus tracks too! First up is So In Love – beautiful late work from Art Pepper – one of his albums recorded for the well-done Artist House label, and a set that's maybe got a different vibe than some of his Galaxy recordings of the time! There's a rock-solid sense of soul to the record – one that comes from the work of two different rhythm trios – one that features George Cables on piano, Charlie Haden on bass, and Billy Higgins on drums – a rhythm trio who keep things swinging, but never in a way that's too straight – pushing Art a bit around the edges, but letting him come right down the middle with some fantastic solos on alto – the other with Hank Jones on piano, Ron Carter on bass, and Al Foster on drums. Tunes are a bit shorter than on some other albums of the period, but in a great way that really lets you focus in on Pepper's amazing sound –and titles include "Diane", "Stardust", "Blues For Blanche", and "Straight No Chaser". Artworks is a nicely focused set from the great Art Pepper – a record that features a number of familiar bop and jazz themes, but set to a more open, relaxed, and very soulful style that wonderfully reflects all the greatness of Pepper in his final years! The group on the record is nicely understated, but still very hip – George Cables on piano, Charlie Haden on bass, and Billy Higgins on drums – and Art gets plenty of space to step out front and really blow these amazing solos, including one number that features just bass and drums, while Pepper blows a bit of clarinet – which we always love. All other titles feature alto sax – and titles include "Donna Lee", "Anthropology", "You Go To My Head", "Body & Soul", and "Desafinado". Next is a New York Album, but one that was oddly recorded in Burbank – and which has Art Pepper sounding very much at the top of his game! The format here is a bit like the other Artist House Pepper sessions, and those he did for the Japanese Atlas label – tight, focused, often tunes that are older jazz or bop standards – but swing with a great rhythm section, and topped with completely sublime alto solos from the leader! The quartet features Hank Jones on piano, Ron Carter on bass, and Al Foster on drums – but one number is a duo between Carter and Pepper, and another features just piano and alto. Titles include "Night In Tunisia", "Lover Man", "Duo Blues", "My Friend John", and "Straight No Chaser". Stardust is a great little record from Art Pepper – four long tracks that really have him stretching out on alto – but in a way that's maybe a bit different than some of his more burning albums on the Galaxy label at the time! The group here follows from some of the previous Artist House recordings – George Cables on piano, Charlie Haden on bass, and Billy Higgins on drums – a rhythm combo that's mighty nice – and which benefits from some great straight basswork from Haden, and Higgins' always compelling sense of rhythm! Titles include "My Friend John", "Stardust", and "Tin Tin Deo" – plus a reading of "In A Mellotone" that has Art on clarinet. CD5 features a full disc of Sessions material, titled as such – alternates, and unusual versions from the recording dates – and all other of the four CDs feature bonus material as well – different takes and alternates!  © 1996-2024, Dusty Groove, Inc.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Contemporary/Victor (Japan), 1960. Used
One of Art Pepper's most classic sets for Contemporary – a record that puts him in the company of the Miles Davis rhythm section – Jimmy Cobb on drums, Paul Chambers on bass, and Wynton Kelly on piano – who make up 3/5 of a quintet that also includes trumpeter Conte Candoli! The ... CD

Art Pepper

Modern Art
Blue Note (Japan), 1956. Used
One of the greatest West Coast jazz LPs of all time! Art Pepper plays beautiful spiralling alto lines with a tight quartet that includes Russ Freeman on piano, Chuck Flores on drums, and Ben Tucker on bass. The whole thing swings in a way that's tough to find on some of Pepper's other albums from ... CD
Jazzbank (Japan), 1975. Used
A really unusual 70s recording from Art Pepper – quite different than most of his better-known work from the time! The group alone is enough to indicate the unusual quality of the set – as it's larger than usual, with a great lineup that includes Harold Land and Buddy Collette on tenor ... CD

Art Pepper

London Live 1980
M&I (Japan), 1980. Used
Late live work from Art Pepper, but a nicely sharp set that shows he was really at the height of his powers during these years! The well-recorded performance features some nicely extended tracks – with Art blowing in that open, searching sort of style he picked up so well in the late 70s ... CD

Art Pepper

No Limit
Contemporary/OJC, 1978. Used
A nice lost late number from Art Pepper – a freewheeling set of tracks that really show the influence of John Coltrane on Pepper's work – cut with a quartet that includes George Cables on piano, Tony Dumas on "blitz bass", and Carl Burnett on drums. The tracks are long, and ... CD
Contemporary/Victor (Japan), 1959. Used
A unique large group session from Art Pepper – one of his few this way as a leader, despite constant 50s presence as a sideman in big ensembles! Arrangements are by Marty Paich, who more than makes things swing – and there's a nice rhythm section dancing underneath a larger group ... CD
Contemporary (Japan), 1976. Used
The "trip" here is a mellow one – not the soaring, spacey style you might expect in a long line of drug-reference titles for Art Pepper albums – but that difference is a-ok with us, because Art's really hitting some great new territory here, thanks to a hip trio that includes ... CD
Galaxy, Late 70s/Early 80s. Used 5 CDs
The first US collection of albums that were originally issued only overseas – a series of sessions that bring Art Pepper together with some jazz heroes of his early years, plus surprising guests like Sonny Stitt, Bill Watrous, and Lee Konitz! CD
Contemporary/Victor (Japan), 1956. Used
A lost treasure – finally brought back to light! The album features previously unissued material by the team of Art Pepper and Warne Marsh – tracks recorded back in 1956 for Contemporary records, but only issued many years later as part of the Complete Contemporary project for Pepper's ... CD
Contemporary/Victor (Japan), 1950s/1960s/1970s. Used 2CD
Art Pepper with Shelly Mann & his Men, Barney Kessel, Helen Humes, Helyne Stewart, and Art Farmer. CD
Atlantic/Omnivore, 1972. Used
Wild electric work from Les McCann – an album of free, open sounds that's quite a change from his styles of the 60s – and from most of his other work of the 70s too! Side one features an extended 26 minute track titled "The Lovers" – a slow-building number that has Les ... CD
Bandstand (Italy), 1958. Used
Count Basie on guitar, Charlie Fowlkes, Frank Foster, Frank Wess, and Marshall Royal on saxophone, Al Grey, Benny Powell, and Henry Coker on trombone, Joe Newman, Snooky Young, Thad Jones, and Wendell Culley on trumpet, Freddie Green on guitar, Eddie Jones on bass, and Sonny Payne on drums. CD
 



⇑ Top