This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
(Cover has split seams, some notes in pen & marker, and tape on the spine.)
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A really cool album from this legendary record pressing plant – a one-sided disc that's a mad mash-up of music, spoken bits, and more – almost with the vibe of some Jon Appleton sound collage! LP, Vinyl record album
More of a straight jazz album than usual for the KPM sound library – an excellent set featuring British alto player Peter King – with John Horler on piano, Dave Green on bass, and Spike Wells on drums! LP, Vinyl record album
Later work from the Gus Giordano dance studios – a session that's not as funky as some of their earlier work, but still mostly original material played by a group of local Chicago studio musicians! The feel here is mostly an early 80s approach to jazz funk – smooth at times, with a ... LP, Vinyl record album