Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Linkwood & Foat

CD (Item 942926) Athens Of The North (UK), 2020 — Condition: New Copy
Temporarily Out Of Stock

CD

✈
❔

A set that's more electronic than some of the other recent albums from Greg Foat, but a record that still fits nicely inside his style – that understated approach to keyboard-driven jazz – heavy on influences from the past, yet never delivered in a way that's too straightforward at all – in a lineage that just has things getting more and more complex as Foat keeps on making records! This time around, Greg's teamed up with Linkwood – and the set has elements that move between 70s and 80s electronic styles, including occasional rhythm patterns – sometimes a bit more upbeat than we're used to hearing from Foat, but still with all the spacey touches that we love in his music. Titles include "Es Vedra", "Pressure", "Bentley 101", "Neutrino", "Push It", and "Mysterious Richie".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Calibro 35

Momentum
Record Kicks (Italy), 2020. New Copy
Calibro 35 have certainly gained momentum in our book – as the group's given us more than a few albums over the years, and just keep sounding better and better with each new one! This set has the group still strongly in their core territory of Italian soundtrack and sound library funk – ... CD

Nu Era (Marc Mac)

Evolve
Omniverse (UK), 2019. New Copy
Evolve is a great title for this full length set – as Marc Mac is one of the few talents from the 4Hero generation who's really evolved over the years, and who's continued to give us some really incredible music – a jazz-based take on the realm of beats and keyboards, with a cosmic-drive ... CD
Nang (UK), 2019. New Copy
Situation really do a great job of transforming other folks' tunes here – so much so that the results are really a lot more their own than any sort of familiar remix modes – which is the CD is more of a full album by the band, then just a collection of cuts! Contemporary rhythms and ... CD

Thievery Corporation

Symphonik
Eighteenth Street Lounge, 2020. New Copy
The title here certainly gets it right – as the album marks a huge new step for Thievery Corporation – the first full record in which the group works with orchestral accompaniment – a move that's maybe long overdue, given how much these guys were initially influenced by older ... CD

Boddhi Satva

18
BBE (UK), 2020. New Copy 2CD
A double-length collection of work from Boddhi Satva – a retrospective of sorts, as the package features tracks from the past 20 years of his career – but maybe more of a special celebration of his talents, as the album brings together special projects, collaborations, and under-exposed ... CD

Jimi Tenor

NY Hel Barca
Bureau B (Germany), 1990s/Early 2000s. New Copy 2CD
A collection of early work from Jimi Tenor – an artist who's maybe known best these days for his spiritual jazz and funk recordings, but one who sounded very different at the time of this material! Jimi issued much of this music on the Warp label back in the 90s – and although there's ... CD

Alex Puddu

Discotheque
Schema (Italy), 2020. New Copy
A fantastic album of grooves from the mighty Alex Puddu – and a record that's worth it alone for its guest work from Gene Robinson Jr on a few tracks – a singer whose voice was part of the classic sound of Breakwater! Puddu's groove has really shifted into the jazzy funk of Robinson's ... CD

Smokin The Jazz

Some Jazzy Steez
Loud Minority (Japan), 2019. New Copy
A sharp second set from this up-and-coming Japanese combo – one of the few to really find the right combination between jazz and hip hop, and deliver the music without any sense of cliche at all! These guys take things backwards from a jazz sample generation of hip hop – adding in more ... CD

Dining Rooms

Art Is A Cat
Schema (Italy), 2020. New Copy
Maybe the best album we've ever heard from Dining Rooms – a set that has the group moving way past just makers of seductive grooves, into wider, fuller territory that definitely puts them at the top shelf level we love from the best at Schema Records! The album balances some of their earlier ... CD
Acid Jazz/BGP (UK), Late 80s. New Copy
Tremendous grooves from the earliest (and best) years of the acid jazz scene – all recorded at a time when London was exploding with sounds from the 60s and 70s, and turning out some of the hippest music on the planet! Although the term "acid jazz" was soon mishandled and mis-manage ... CD

Soil & Pimp Sessions

Man Steals The Stars
Victor (Japan), 2019. New Copy
The cover image is maybe a bit more cosmic than usual for this hip Japanese jazz group – and the sound within definitely follows suit, and maybe makes the album one of the most compelling we've heard from Soil & Pimp Sessions in years! We've loved these guys right from the start, and ... CD

Nicola Cruz

Siku
Xtra Mile (UK), 2019. New Copy
Nicola Cruz has a very unusual style here – one that mixes percussion, wooden flutes, and some occasional contemporary production touches – almost in a way that bridges ancient musical modes and 21st Century spirits – but at a level that's always far less gimmicky than that ... CD
 



⇑ Top