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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Early Capitol Records material from Peggy Lee – including her hit "Manana", plus "Hold Me", "The Nightingale Can Sing The Blues", "It's A Good Day", "Golden Earrings", and a great take on "Why Don't You Do Right". LP, Vinyl record album
A groovy collection of singles from Peggy Lee – all material from her early return to Capitol Records after a mid-50s stint at Decca – brought together in a full length album from 1960! The work here already shows a great change in Peggy's style – that tightening up and hipping ... LP, Vinyl record album
Music direction by Lou Levy – which is quite a surprise – with arrangements by Dave Grusin, Lalo Schifrin, and Billy May – on some unusual tracks that include "My Sin", "The Boy From Ipanema", "Talk To Me Baby", "The Right To Love", "The ... LP, Vinyl record album
Peggy's sweet as sugar, but working here with a heck of a lot of spice – thanks to arranger Benny Carter, who brings in a wonderfully jazzy feel to the set! The album's one of Peggy's best from her comeback years at Capitol – and a prime example of the syncopated, slinking mode of ... LP, Vinyl record album
One of Peggy Lee's excellent Latin-tinged sides for Capitol Records – and an album that gives her already-great style of jazz vocals a nice added bounce in the backings! Arrangements are by Joe Harnell – not the most authentic of Latin talents, but an artist who's well-suited to ... LP, Vinyl record album
A key album in the transformation of Peggy Lee's sound at the end of the 60s – one that has her moving from just being a jazz singer, into a more complicated role of interpreting contemporary singer/songwriter material – often with a mature and experienced tone, one that makes her ... LP, Vinyl record album
A classic set of tracks from Peggy – featuring the sublime hit "Is That All There Is?", produced by Lieber & Stoller, and arranged and conducted by Randy Newman. Other arrangements are by the likes of Mike Melvoin, Mundell Lowe, George Tipton, and Bobby Bryant – all of ... LP, Vinyl record album
A way hipper record than you'd guess from a group with a name like "Rare Silk" – and some of the best group jazz vocalese recorded in the 80s! The group is a quartet of voices – 3 female, 1 male – and they come together in a style that's far less hokey than most of the ... LP, Vinyl record album
Great early work by Mark Murphy – a set that's different than the cool breeziness of his 70s work, and done with an approach that's a lot hipper than most of his 60s contemporaries! Ernie Wilkins handles the arrangements, and there's a rollicking soul jazz groove here that's a bit unusual ... LP, Vinyl record album
A beautiful little session from vocalist Sue Raney – and a bit of a departure from her earlier work for Capitol! The style here is a bit more groovy than before – lightly dancing around with some larger backings from Billy Byers – jazz-styled, but handled with a few nice mod ... LP, Vinyl record album
Kitty White's first album for Mercury – a sublime set recorded right at the height of Mercury's jazz years – and done in a personal, unfettered style that's really great – right up there with more famous albums for the label by Dinah Washington or Sarah Vaughan from the same time. ... LP, Vinyl record album