Four full albums from the Box Tops, plus bonus tracks too! First up is The Letter/Neon Rainbow – a powerhouse set from The Box Tops – a 60s group who showed the world that the Memphis scene had as much to offer the world of rock as it did the worlds of blues and soul – thanks to the all-great pedigree of this album! Not only does the group feature a very young Alex Chilton on lead vocals, the set was also recorded at the new American Recording Studios headed up by Chips Moman – with tracks on the record from the classic soul songwriting team of Dan Penn and Spooner Oldham, not to mention a few by the young Bobby Womack too! The bit hit "The Letter" leads off the set, but the album's way more than just that it – filled with great tunes that include "I Pray For Rain", "I'm Your Puppet", "Happy Times", "Neon Rainbow", "Break My Mind", "She Knows How", and "Everything I Am". Cry Like A Baby is a fantastic album from The Box Tops – the kind of all-great, no-filler record that really set them apart from some of their 60s contemporaries! At this point, Alex Chilton's still not a songwriter, but he sounds tremendous in the lead on vocals – working with superb Memphis production, amidst a host of great tunes from the team of Dan Penn and Spooner Oldham, plus a few other key songwriters too! Penn produced the record, and really gives it a fantastic sound – the kind of special touches and genre-bending elements of his own later records – on titles that include "Deep In Kentucky", "Cry Like A Baby", "Trouble With Sam", "The Door You Closed To Me", "Lost", "Fields Of Clover", and "Every Time". Non Stop is beautiful work from The Box Tops – a set that has the group moving way past their early hits, and finding this really sort of special place in the world of up-and-coming artists in the 60s! The Box Tops were maybe one of the first Memphis rock groups to really put together all the great elements that were bubbling in that city's scene during the 60s – the unique hybrid of soul, country, R&B, and other influences that were filtering into groups via the cross-cultural vibe of the city. That quality really comes through here – partly in the group's performance and the lead vocals of Alex Chilton, partly in the great production by Dann Penn, who also wrote a number of tracks with Spooner Oldham, and partly in the way that fuller arrangements are used to underscore some more soulful touches in the music. Titles include "Sandman", "Choo Choo Train", "I'm Movin On", "People Gonna Talk", "She Shot A Hole In My Soul", "I Met Her In Church", "I Can Dig It", and "If I Had Let You In". Dimensions is maybe one of the most soulful albums by The Box Tops – and that's saying a heck of a lot, as there's plenty of other soul elements moving through the other records! Alex Chilton's really finding his own here, and contributes a number of his own songs to the record, as a harbinger of his great legacy to come – and the production is slightly shifted, with Tommy Cogbill and Chips Moman taking over from Dan Penn, and maybe bringing in even more elements from the wide crossover between rock and soul on the Memphis scene. Titles include "I See Only Sunshine", "Together", "The Happy Song", "Rock Me Baby", "Sweet Cream Ladies", "I Must Be The Devil", "Midnight Angel", and "Soul Deep". Bonus cuts include "Since I Been Gone", "Lay Your Smile On Me", "King's Highway", "Take Me To Your Heart", "Georgia Farm Boy", "Come On Honey", and "You Keep Tightening Up On Me". © 1996-2020, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".
Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.
This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.
Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.