Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Blessing

LP (Item 941283) Kollington/Soul Jazz (UK), 1978 — Condition: New Copy
(reissue)
List Price: 32.99

An album of heavy righteous power from Alhaji Kollington Ayinla and his Fuji 78 ensemble – a group who bring a very different sound to this record than some of the more mainstream Afro Funk work of the Nigerian scene at the time! The group are heavily percussive, and also use their drums in these inflected ways that open up next to the vocals – yet they're also not afraid to throw in a bit of synth and keyboards, but with modes that are never trying to overwhelm the core fuji energy of the music – which really comes from the hard-driving percussion, and the rising of group vocals next to the lead of Ayinla – all in ways that almost have the righteous energy of prayer, but tuned here towards much more secular politics in the end. The whole record has a timeless power that's undeniable – and titles include "Pataki L'Omo", "To Ba Jisoro Mi", "Won Ti Gbe Oye Fun Mi", "Adio Shile", "E Ye Ika Se", and "Odu Titun De".  © 1996-2020, Dusty Groove, Inc.
(Limited edition of 1000!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Soul Jazz (UK), Late 60s. New Copy 2LP Gatefold
A fantastic collection of sounds from the Nigerian scene at the end of the 60s – music in the apala mode, a highly rhythmic blend of percussion, voices, and thumb piano – served up with a style that's a lot grittier than some of the more commercial music of the time! These tracks are ... LP, Vinyl record album
Cadillac (UK), 1959. New Copy
The first-ever vinyl issue of the earliest recordings ever made by Fela – and a set that also includes two tracks that appear here for the first time ever! The work was recorded in London at the end of the 50s, and features a very young Fela doing a jazzy take on highlife styles – ... LP, Vinyl record album
Luaka Bop, Late 70s/Early 80s. New Copy 3 LPs Gatefold
Grooves unlike anything else you've ever heard before – the rightly legendary musical legacy of William Onyeabor, one of the most enigmatic talents to come from the African scene of the 70s! The work here is all plenty darn funky, but it's also very different from familiar Afro Funk too ... LP, Vinyl record album
World Circuit/Nonesuch, 2002. New Copy 2LP Gatefold
A great return to form for Orchestra Baobab – a group who really shone on the Senegalese scene in the 70s, but disbanded right as they were hitting global fame – eventually reuniting around the time of this album, thanks to demand from listeners around the world! The style is nicely ... LP, Vinyl record album
Analog Africa (Germany), Late 70s/Early 80s. New Copy 2LP Gatefold
You might know "Soul Makossa" – the worldwide hit by Manu Dibango that was covered by many folks, and sampled heavily in later years too – but this set takes a look at the deeper scene behind that famous groove, through a host of wickedly funky tracks from the late 70s scene ... LP, Vinyl record album

Lafayette Afro Rock Band

Malik
Makossa/As The Record Turns, 1976. New Copy (reissue)
A fantastic bit of Afro funky soul – one of a few albums recorded by the legendary Lafayette Afro Rock Band! The set has an incredible blend of American funk, African rhythms, and European production – recorded in the heady cross-cultural scene of early 70s Paris – with a sound ... LP, Vinyl record album

Fela & Roy Ayers

Music Of Many Colors
Celluloid/Knitting Factory, 1980. New Copy (reissue)
One of the best soul collaborations ever! Fela and Roy Ayers team up for this whopping album that brings together the best sides of these monster soul talents of the 70s! In keeping with Fela's work, the tracks are long and Afro-tinged, with a complicated groove that grows over the length of the ... LP, Vinyl record album

Fela & Africa 70

No Agreement
Knitting Factory, 1978. New Copy (reissue)
A killer from the classic years, and one of Fela's best albums! "No Agreement" is a super great groover – with a catchy hook that goes on and on, and some very tasty playing by Tony Allen and the group. The track is long, with heavy solos, and vocals that will knock you out! ... LP, Vinyl record album

Fela & Africa 70

Yellow Fever
Knitting Factory, 1976/1999. New Copy (reissue)
A really killer 70s album from Fela Kuti – one that serves up a hell of a message, and some great slinky grooves too! "Yellow Fever" is a brutal attack on miscegenation, backed by a funky groove that makes the whole thing fall into place with an amazing riffing sound – bold, ... LP, Vinyl record album

Fela & Africa 70

Coffin For Head Of State
Knitting Factory, Mid 70s. New Copy (reissue)
One of the most compelling Fela albums of the 70s – and one that's got a very different feel than some of his others. The album features one long track – "Coffin For Head Of State" – and although the track still has the usual Fela staples of horn riffs, chopping vamps, ... LP, Vinyl record album
Strut (UK), 1970s/Early 80s. New Copy 2LP Gatefold
Stunning sounds from the Disques Debs label in the 70s – a powerhouse imprint in the French Caribbean scene, and a company who were really coming into their own during the decade! The "cadence revolution" in the title is a reference both to the revolution in new musical sounds that ... LP, Vinyl record album

Gerardo Frisina

Moving Ahead
Schema (Italy), 2020. New Copy 2LP
The cover image is a bit different than the modernist images usually used for records by Italian maestro Gerardo Frisina, and the sound is a bit different too – maybe less Latin or Brazilian than some of his previous records, but still filled with lots of percussion at the core! There's ... LP, Vinyl record album
 



⇑ Top