Five full albums of work from the mighty Mitch Ryder – plus a fair bit of rare singles as well – all brought together in a package that features the first full look at his years at the New Voice label! First up is Take A Ride – a classic set from the mighty Mitch Ryder and his smoking Detroit Wheels combo! These guys might have been a garage band in another side of the universe – and you can definitely hear that style on some of the guitars and keyboards in the set – but they also drunk deep of the Motown sound of their hometown, and listened to plenty of soul from Chicago and Memphis too – which they draw on to great extent for the grooves in this classic set! Years before so many other groups would cop 60s soul style and hit it big on the charts, Mitch and the boys made their move – much closer to the ground at the time, and with a lot more grit in their grooves too – so much so that we've always been unsure as to whether to file this record in the rock section or in soul. The whole thing's great – and titles titles that include "Jenny Take A Ride", "Shake A Tail Feather", "Come See About Me", and "I Hope" – plus three James Brown songs – "I'll Go Crazy", "Please Please Please", and "I Got You". Next is Breakout – a record that's steeped in styles borrowed from Memphis and Muscle Shoals, and given a bit of a color-blind twist on the Detroit scene of the late 60s! Mitch clearly loves the motor city sound of the 60s, but also takes things to farther points south, too – using elements that would be right at home on Stax or Atlantic Records, and coming up with a crossover sound that had his recorded almost ending up in more soul collections over the years than rock ones! Production is by pop maestro Bob Crewe, but it's surprisingly unadorned compared to some of Crewe's other work of the time – and the album bristles with sock-soul instrumentation from the Detroit Wheels, and loud, proud vocals from Mitch. There's a bit of garaey guitars in the mix, too – making for a mighty nice hybrid of styles – and titles include "Shakin With Linda", "You Get Your Kicks", "Any Day Now", "I Need Help", "Little Latin Lupe Lu", "Walkin The Dog", "I Had It Made", and the classic "Breakout". Sock It To Me is a smoking third set has the group breaking out with a fierce and funky sort of style! Most songs are by producer Bob Crewe – but Mitch and the group deliver the goods with a strong dose of Detroit soul influence – mixing Motown inspirations with lots of rougher garagey touches on the instrument – all with nonstop energy that makes the record a cooker all the way through! Titles include "I Can't Hide It", "Sock It To Me", "Shakedown", "I Never Had It Better", "Slow Fizz", "A Face In The Crowd", and "Wild Child". Sings The Hits is a record that has Mitch Ryder singing the hits of other big soul and rock artists of his generation – but with that crackling Detroit Wheels blend of fuzzy rock and funky soul! Arrangements are by Hutch Davie, and Bob Crewe produces the group to perfection – but it's really Mitch and the group that make the real magic – with titles that include "Come See About Me", "Walk The Dog", "Sticks & Stones", "I Got You", "Let Your Lovelight Shine/Turn On Your Lovelight", "Stubborn Kind Of Fellow", and "Please Please Please". On What Now My Love, Mitch Ryder takes a bit of a turn from the garagey funk and Detroit soul of previous records – and works in territory that's maybe a bit more familiar for longtime producer Bob Crewe – Mitch in the lead, ala solo Frankie Vallie – working through tunes made popular by other artists, but with all these unusual inflections in both the arrangements and vocals! The vibe isn't the same rollicking party as early records by Ryder, but the album has all these sublime elements that make the whole thing stand up there with some of the best on Dyno Voice – a list that would also include the Barbarella soundtrack – almost like Mitch is trying to go into solo Scott Walker territory. Titles include "Born To Lose", "If You Go Away", "Let It Be Me", "Sally Go Round The Roses", "Brown Eyed Handsome Man", "I Need Lovin You", and "That's It I Quit I'm Moving On". CD also features loads of rare tracks from 45s – including "Joy", "Ring Your Bell", "One Grain Of Sand", "Personality/Chantilly Lace", "Lights Of Night", "Blessing In Disguise", and a special "Radio Promo". © 1996-2020, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".
Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.
This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.
Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.