This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
(Out of print, small piece of clear tape on the sleeve.)
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of the last great "lost" sessions from pianist Andrew Hill – material recorded for Blue Note in the mid 60s, and issued only briefly in the 70s – finally to be reissued here properly in its entirety for the first time ever! The record has Hill working at his sharpest and ... CD
A landmark album of vocal jazz – and one of the few sessions that John Coltrane ever cut with a singer! In a way, the album's more Hartman's than it is Coltrane's – given that Johnny's warm, mellow style of singing isn't as free and open as Trane at his most adventurous – but at ... CD
A stunner – and one of Clark Terry's finest moments ever! The record has a rawness and groove that you'd hardly expect from his later albums – no surprise, though, considering that it was cut during that really hip time at Emarcy, when the label was working in a mode that was darker ... CD
A great later example of the genius of Mingus with Eric Dolphy – a performance done shortly before Dolphy left on his tragic last visit to Europe in 1964, and which features both him and Mingus at their freest together! Don't mistake the album for the similarly-titled Town Hall album on ... CD
Arguably the most classic Alice Coltrane album on Impulse – and a strong group effort that features some great work from Pharoah Sanders! Coltrane leads two different small combos on the record – both with Sanders on saxes, plus either Cecil McBee or Charlie Haden on bass, and Rashied ... CD
An incredible return to form for the Art Ensemble of Chicago – as the return of Joseph Jarman to the group really seems to have given them a new sense of focus, purpose, and direction! There's a tunefulness here that's really wonderful – a sense of lyrical interplay that's especially ... CD
With Chick on electric piano, clavinet, and lots of other keys – plus Al Dimeola on guitar, Stanley Clarke on bass, and Lenny White on drums. Titles include "Vulcan Worlds", "The Shadow Of Lo", "Beyond The Seventh Galaxy", "Earth Juice", "Where ... CD
One of the most righteous, message-oriented albums ever from David Axelrod – and the third in his legendary trilogy of instrumental sets for Capitol Records! Earth Rot moves even past the modes of Songs Of Innocence and Songs Of Experience – to offer up a chilling message on the ... CD
Nice 17 track compilation of Minnie's classic work for Capitol! The selection is excellent, and the CD features most of the stuff you'd ever want to have by her, including "Perfect Angel", "Memory Lane", "Lovin You", "Stick Together", "Inside My ... CD