Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Raw Like Sushi (3CD deluxe edition)

CD (Item 937627) Virgin, 1988 — Condition: New Copy
3CD
$29.99 ...

CD

List Price: 55.99
Also available
Neneh Cherry — Raw Like Sushi (3LP deluxe edition) ... LP 34.99

Maybe the crowning moment of genus from the great Neneh Cherry – a record that's a huge evolution from her post punk funk of just a few short years before – and one that really helped her bridge the Atlantic and find a huge following over here at the time! There's a great mix of hip hop inspiration and electro soul styles going on here – but also fused with the chunkier modes that were coming out of the UK soul scene right at the end of the 80s – maybe a new love of the depth of classic soul, which is used to really amplify the spirit of the great lyrics that Neneh delivers throughout. Titles include the megahit "Buffalo Stance" – plus "Manchild", "Kisses On The Wind", "Inner City Mama", "Heart", "The Next Generation", "So Here I Come", "Outre Risque Locomotive", and "Love Ghetto". Beautiful 3CD version – packaged in a heavy 12" album-sized jacket – with loads of bonus materials! Titles include "Buffalo Stance (1/2 way 2 house rmx)", "Buffalo Stance (sukka mix)", "Manchild (Smith N Mighty rmx)", "Manchild (Massive Attack bonus beats)", "Manchild (old school mix)", "Kisses On The Wind (12" Spanish)", "Kisses On The Wind (lovers hip hop ext version)", "Next Generation (rap one mix)", "Next Generation (sub-woofer mix)", "Heart (club mix)", "Kisses On The Wind (David Morales a little more Puerto Rico mix)", "Inner City Mamma (cold blooded rmx)", "Buffalo Stance (Kevin Sanderson's techno stance rmx one)", and lots more. Also comes with a very cool 12" square, 48 page full color booklet of notes!  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Motown, Late 70s/2020. New Copy
A whole host of Diana Ross classics – all given a contemporary club treatment by producer/mixer Eric Kupper! Diana really helped set the scene for powerful, progressive dancefloor tracks in the pre-house years – and Kupper easily refits her classic vocals and rhythms with a mode that ... CD
Polydor, 1969. New Copy
A rare lost treasure from James Brown – the full, unedited version of a live concert that was cut up and butchered for the Sex Machine album – presented here for the first time ever, with a huge amount of never-issued tunes! Sex Machine was one of those "fake" concert albums ... CD
Motown, 1960s/1970s/1980s/1990s. New Copy 11CDs
CD...$99.99 169.99
An amazing package – one that comes in a tiny replica of the original home of Motown Records in Detroit! As you'd guess from the title, the 11CD set features every single Motown track that ever hit #1 on the charts – almost 200 classic songs, running from the early 60s right up through ... CD
20th Century/Universal, 1970s. New Copy 7CD
The essential 70s run of classics by Barry White's Love Unlimited Orchestra – all their 20th Century Records LPs from 1973 to 1979 in a perfect little 7CD box set! The styles range from soaring soulful sounds that more than earn the usage of the word Orchestra, to funky instrumental ... CD
Stax, 1966. New Copy 6 CDs
The complete document of a legendary live recording by Otis Redding – material that not only shows a slightly different side of Redding than his studio albums for Stax – but which also continued to flow out in parts, issued after his too-early death, as a way of keeping his music alive! ... CD

Philip Bailey

Love Will Find A Way
Verve, 2019. New Copy
Philip Bailey's looking hipper than usual on the cover – and he's sounding hipper than usual within – thanks to fantastic production help from Robert Glasper, Christian McBride, and Chick Corea – all artists who play on the record, and help give Bailey a really timeless sense of ... CD
Virgin (UK), Early 90s. New Copy 2CD
A pair of wonderful albums from the young Lalah Hathaway – plus bonus tracks too! First up is the self-titled Lalah Hathaway – the first album from Donny Hathaway's soulful daughter – an album that began a legacy that's lasted plenty strongly on its own – even without such ... CD
Ace/Kent (UK), Mid 60s. New Copy
Raw soul from the 60s – not the polished sounds of Motown, or the smoother grooves of the Philly studios – but instead work by artists who might have recorded R&B during the decade before, and who still work here with a fair bit of grit in their grooves! The shift is a bit like ... CD
Polydor/Now Again, 1971. New Copy
CD...$6.99 15.98
A legendary bit of fuzzy funk from James Brown – an important collaboration with the mighty Dave Matthews, who brings a more tripped-out feel to the record than some of James' other King sessions of the time! Matthews adds in lots of psych-influenced guitar – used very different than ... CD

Timothy McNealy

Funky Movement
Shawn/Now Again, Early 70s. New Copy
The first-ever full length collection of work by the mighty Timothy McNealy – the Texas funk genius who only issued a few rare funky 45s back in the day – but has gone onto achieve legendary status over the years! McNealy's music is completely unique right from the start – funky ... CD
Wand/Kent (UK), 1960s. New Copy
Maxine Brown on Wand Records is really something amazing – not just because she began her recording career at the label, but also because she never again hit the heights of these recordings! Brown was a really important singer with these sides – still partly in the class and poise of ... CD
Fantasy/BGP (UK), 1978. New Copy
CD...$8.99 14.99
Wonderfully tight work from Pleasure – a record that definitely lives up to the lean, clean image on the cover – as it's got the group honing their funky skills even more strongly than before! Wayne Henderson's at the helm, finding the group hit this razor-sharp groove that comes ... CD
 



⇑ Top