Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Africobra – Experimental Art Towards A School Of Thought

Book (Item 936971) Duke University Press, 2020 — Condition: New Copy
Out Of Stock

Book

✈
❔

A fantastic look at this revolutionary art movement from Chicago – one whose birth and growth matched that of the AACM in the city, but which was also maybe much more tied to the streets and the people! Although Africobra's been celebrated in galleries and museums over the years, the movement got its start in 1968, during a big moment of pride and power – and made as many contributions to the city's communities as it did to the upper echelons of its art world. The story and theory of Africobra is told here by Wadsworth A Jarrell – one of the movement's founders – in a beautiful book that's filled with full color images and examples to illustrate the text. 292 pages, softcover.  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Duke University Press, 2021. New Copy
A huge book on the equally-huge creative legacy of bassist William Parker – a musician who first arose in the loft jazz scene in New York during the 70s, but who's gone on to be one of its greatest surviving players, and one who's transformed the inspirations of that world into so many ... Book
Duke University Press, 2021. New Copy
A masterful call for a fresh look at a key side of black artistic creation – the use of the studio in art creation, especially in the blend of words and music that came out of some of the important jazz/poetry experiments from the late 50s through the late 70s! The book mixes theory and ... Book
Duke University Press, 2017. New Copy
An incredible look at the format of vinyl – put together by a guy who's got one of the hippest record collections we've ever seen! John Corbett's been writing about music, art, and other formats for decades – but his real labor of love is vinyl records – a format he continued to ... Book
Duke University Press, 2011. New Copy Book
The best (truly – they got this book right) of Roctober gets a classy rock 'n' soul book compilation from Duke University Press – an incredible collection of interviews that were featured over the years in the great DIY magazine over the years! Interviews with musical legends who ... Book
Duke University Press, 2016. New Copy
A collection of essays on a great range of musical topics from Chuck Eddy – a writer whose work you might know from Creem or The Village Voice – and who covered a surprising amount of music in his decades in publication! The book brings together columns from a four decade stretch that ... Book
Black Dog, 2017. New Copy
The story of Michael and The Jackson 5 – all presented here in an array of fantastic materials all pulled together from the family archives! The book is stunning – hefty, full color, and with page after page of really great material – images of records, live shows, special events ... Book
Penguin Books, 2019. New Copy Book
Van Morrison's album Astral Weeks is one of the standout records of the late 60s – a set that opens itself up to the listener instantly, and with maybe more impact than most of Morrison's other wonderful work from the same period. Yet there's plenty behind the record that's not in its ... Book
Faber & Faber, 2017. New Copy
A nice change from the usual book on the music and life of Prince – as author Ben Greenman brings in a fair bit of analysis as he moves through the career of the legendary soul singer – all in ways that are strongly hinted at by the title! Greenman divides the book up into four ... Book

Mark Mothersbaugh/Adam Lerner

Mark Mothersbaugh – Myopia (hardcover)
Museum Of Contemporary Art Denver, 2014. New Copy
A deep dig inside the mind of Mark Mothersbaugh – a musician that most folks know for his role in Devo, and his soundtrack material too – but also a visual artist with a legacy that's maybe even more mindblowing than his work on record! The book is the first we've ever seen to look at ... Book
Grove Press, 2017. New Copy
The story of the beat generation – from a writer who was a key part of the movement, and knew just about anyone who was worth his salt at the time! Allen Ginsberg was the poet whose work helped set first to the beat scene in the late 50s – and was one of the most well-traveled, well-con ... Book
St Martins, 2017. New Copy
A book that's heavy on images of Prince from the 90s – all captured by Afshin Shahidi, who worked with Prince on a variety of video and photographic projects during the decade! Most images are portraits, but there's also some performance and candid shots too – all presented in full ... Book
Black Cat, 2005. New Copy
The story of Guided By Voices – a group who labored in the American underground for quite some time before finding big fame – a story that makes the group's success far more interesting than most! The book details all the work and time that Robert Pollard put into getting the group ... Book
 



⇑ Top