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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Doobie-doo doobie-doo! One of the catchiest Roy Ayers dancefloor tracks ever – a bassy bumping thumper that wonderfully skirts the line between clubby and funky! The track's got female vocals singing along with the hook – all in a mode that's quite similar to the most uptempo work by ... 12-inch, Vinyl record
If you buy one funky record today, make sure it's this one! "She's The One", a lost track by James, is remixed using the famous "Funky Drummer" break in this 1988 version by Norman Cook (aka Fatboy Slim)! But even better than that, the flipside contains the original "Funky ... 12-inch, Vinyl record
Funky club from Olympic Runners – a bit smoother here than earlier records, but also plenty darn soulful! "The Bitch" might be a bit off-putting as a title, but the groove is laid out by some tightly-driven basslines, and the overall vocals are a bit more soulful than some of the ... 12-inch, Vinyl record
A funky funky thumper from Barry White – and one of his last truly genius tracks! "Ecstasy" is presented here in a long long version that lets the tune's initial bass and drum interplay stretch out magnificently – sliding and slinking along in a classic White-styled groove, ... 12-inch, Vinyl record