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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Funky-strutting genius from Wells Fargo – one of the coolest, heaviest acts to come out of the Zimbabwe scene of the 70s – a moment when hard rock and soulful basslines came together brilliantly, to power the raw edge of a handful of groups like this! The music is maybe more late 60s ... LP, Vinyl record album
Early work from David Fathead Newman – so early, the cover has him listed as "Dave" on the front! The album steps nicely off Newman's early work with Ray Charles – and does plenty to establish him as a leader on his own – putting Newman's bold, soulful tenor right ... LP, Vinyl record album
Important mid 60s work from Ornette – and one of the few recordings of this format to see larger release at the time! The set captures Ornette in a much freer style than heard on his Atlantic recordings from a few years before – paying alto, violin, and trumpet, in a trio with David ... LP, Vinyl record album
One of the few albums ever issued by female alto player Vi Redd – a really unique artist, and a greatly overlooked talent from the time! Vi's got a wonderfully warm approach – and she often sings in addition to playing alto sax – with this vocal style that's really great, and ... LP, Vinyl record album