Popol Vuh : Essential Albums Collection (Affenstunde/Hosianna Mantra/Einsjager & Siebenjager/Aguirre/Nosferatu) (6LP 180 gram pressing) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Essential Albums Collection (Affenstunde/Hosianna Mantra/Einsjager & Siebenjager/Aguirre/Nosferatu) (6LP 180 gram pressing)

LP (Item 935061) BMG, 1974–1976 
A fantastic package -- featuring the first five albums from this legendary group -- all pressed on 180 gram vinyl in a big box set! First up is Affenstunde -- some of the coolest, moogiest work to come from the German scene in the early 70s -- and a record that's filled with loads of wonderful analogue electronics -- spun out over these long, spacey extrapolations -- and magically mixed with a host of acoustic elements too! The group is one of the most organic to ever approach this formula -- and the sound here is beyond compare -- hugely influential on many acts to come, but never handled this right -- with such a perfect balance of simple elements and sophisticated ideas. Titles include "Affenstunde" and the three-part dream sequence "Ich Mache Einen Spiegel". Hosianna Mantra is next -- a set that's still filled with all the amazing electronics of the group's previous records, but which also has even more focus and tunefulness too -- yet all in a way that's still pretty darn far out overall! The album's got a slightly spiritual bent, as you might guess from the title -- and the instrumentation is slightly expanded, so that there's more guitar and reed work than ever before, yet still used in a way that's pretty darn electronic. The tracks are all instrumental, and have a really beautiful sound -- and titles include "Abschied", "Andact", "Nict Hoch Im Himmel", "Andacht", "Ah", and "Hosianna Mantra". Next is Eisjager & Siebenjager -- a record that also has some of the group's most tuneful moments of the early 70s -- and a sound that really shows them moving forward with a new sort of energy! Most of the tracks are short, and never overindulgent -- yet they also show a growing skill with guitar solos, which helps bring out a rockish quality the group never had this strongly before -- even though most of the record has an instrumental approach. Djong Yun sings a bit on the set, often in a moody, lyric-less way -- and tracks include the side-long title cut, plus "Kleiner Krieger", "Gutes Land", "Morgengruss", "King Minos", and "Wurfelspiel". The Aguirre album is next -- a set based on their initial soundtrack material for the Werner Herzog film of the same name, but one that also stretches out in a lot of new directions, too -- with longer songs that really open up, although always strongly in the spirit of the original music! The sounds are from the trio of Florian Fricke on piano and keyboards, Daniel Fichelscher on guitars and percussion, and Djong Yun on a bit of vocals -- all elements that are layered and processed, but at a very organic level that's very cool -- so that nothing ever feels too forced, or too cold -- that definite warmer side of the spectrum that Popol Vuh brought to the German scene of the 70s -- and left as their legacy with great records like this! Some tracks are quite long -- including the 16 minute "Vergegenwaertigung" -- and titles include "Aguirre I", "Morgengruss II", "Agnus Dei", and "Aguirre II". The set finishes with a double-length version of the spooky soundtrack to Werner Herzog's remake of Nosferatu from the late 70s -- featuring a spare, moody score that's quite different than some of Popul Vuh's other work. The music almost seems to bubble out of the ground like Nosferatu himself coming out of his coffin in the minutes after dusk -- using light electronics to set a tone, but also employing a bit of what seems to be flute, plus occasional acoustic guitar, which has a very striking effect in this setting. Titles include "Mantra", "Die Nacht Derhimmel", "Through Pains To Heaven II", "On The Way", and "Venus Principal".  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


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