Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Ritme Jaavdanegi

LP (Item 934426) Latency (UK), 2019 — Condition: New Copy

A really cool criss-crossing of modes from percussionist Mohammad Reza Mortazavi – a musician who handles a range of older Persian instruments on the set, but also produced the album with a fair bit of echo and effects – so that the acoustic instruments crackle with deeper, more electric vibes – almost folding the future into the ancient, with really mindblowing results! The cover is a bit short on notes, but it does sound like most of the music comes from percussion played in quick, cyclical modes – then abstracted somewhat by the production, but in ways that are complex, and very free from obvious gimmicks. Titles include "Roaming Pulses", "Taken By The Wind", "Riding Time", "Tears Of A Fakir", and "Exploring".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Bongo Joe (UK), 1970s/1980s. New Copy 2LP Gatefold
Lively grooves from the islands of Sao Tome and Principe – two nations located in the gulf of Guinea – at a unique crossroads that makes for a really wonderful criss-crossing of styles and sounds! The nations are part of the older Portuguese colonial network, and share some sounds with ... LP, Vinyl record album
Bongo Joe (UK), 1970s. New Copy
Amazing sounds from a scene we're just beginning to know – the sega music of the islands Mauritius, Seychelles and Reunion Island – all located in a very unique cultural cross-current in the Indian Ocean! The music here is often relatively spare and rootsy – guitars that are ... LP, Vinyl record album

Chief Stephen Osita Osadebe

Osondi Owendi (with bonus download)
Polydor/Hive Mind (UK), 1984. New Copy (reissue)
A Nigerian album issued in the 80s, but one with a spare, solid sound that's instantly timeless – thanks to long tunes that build strongly from basslines and percussion, then layer great guitar and lyrics over the top – but all with this organic flowing vibe that's totally great! The ... LP, Vinyl record album
Honest Jons, Late 40s/1950s. New Copy 2LP Gatefold
An incredible collection from Honest Jons – and like some of the rest of their best, music we never would have heard otherwise! The focus here is on calypso music, but recorded in West Africa – not the usual Caribbean setting – a very unusual strain of styles that cropped up in ... LP, Vinyl record album
Honest Jons (UK), Mid 50s. New Copy 2LP Gatefold
The roots of Congolese rumba – served up here in a host of cool recordings from the 50s, in a package that really sheds new light on these under-exposed years of the genre! As you'd guess from the title, there's a fair bit of Latin rhythms at play here – a key Cuban contribution back ... LP, Vinyl record album
Bongo Joe (UK), Late 70s/Early 80s. New Copy
Not the kind of calypso that was issued by the big American labels in the 50s – and instead, sounds that have a sound, style, and overall approach that's maybe a lot more similar to American blues from the rural scene! The tracks here are all pulled from the personal archive of Walter Gavitt ... LP, Vinyl record album
Numero, 1970s. New Copy 3 LPs
One of the most ambitious projects we've ever seen from Numero – and that's saying a lot, given some of their other releases! This package is equal parts cultural document and musical treasure trove – a heavy book full of photos from a time when Upper Volta was stepping past its ... LP, Vinyl record album
Numero, Late 70s/Early 80s. New Copy 2LP Gatefold
One of the grooviest compilations we've ever seen – a collection of work by American expatriates living in Israel at the end of the 70s – a hip blend of US funk and Hebrew spirituality! Most of the work here sounds like the best spiritual funk of the 70s – very much in an Earth ... LP, Vinyl record album
Ostinato (UK), 2020. New Copy 2LP Gatefold
A really great combo from the small nation of Djibouti – stepping out here in one of the first international record releases from that company in decades – a shuttered legacy to the rest of the world, given the tight control of music by the state! Yet despite that situation, the Groupe ... LP, Vinyl record album
Numero, Mid 70s. New Copy 2LP Gatefold
Heavy funk from the Bahamas – a whole bunch of groups that will show you that Nassau had a lot more to offer than The Beginning Of The End! The groove here is totally wonderful – somewhat like American funk of the late 60s and early 70s, but served up with some very unusual rhythmic ... LP, Vinyl record album

Mulatu Astatke & Black Jesus Experience

To Know Without Knowing (with bonus download)
Agogo (Germany), 2020. New Copy
A great entry in the ongoing resurgence of the mighty Mulatu Astatke – the legend of Ethiopian music from the 70s, still going strong after all these years – and finding new ways to interact with generations of musicians that he inspired with his original recordings! This set has ... LP, Vinyl record album

Sahara All Star Band Of Jos

Sahara All Star Band Of Jos
PMG (Austria), 1976. New Copy (reissue)
One of the funkiest combos we've heard from the African scene of the 70s – and that's saying a lot, given how much great music was going on at the time! These guys really know how to lean into a long song, and open it up with incredible instrumental sharpness – a way of coming together ... LP, Vinyl record album
 



⇑ Top