Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Gentle On My Mind/By The Time I Get To Phoenix

CD (Item 933456) Capitol/BGO (UK), 1967/1968 — Condition: New Copy
$8.99 ...

CD

List Price: 14.99

A pair of Capitol Records classics from Glenn Campbell – back to back on a single CD! First up is Gentle On My Mind – an insanely wonderful early album from Glenn Campbell – the kind of music that's not really rock, pop, or country – but instead a unique summation of all, at a level that only Campbell could do this well The album kicks off with the sublime pop hit "Gentle On My Mind" – one of those jangly tunes that we could listen to forever – and then soars into a beautiful blend of tunes from different sources, including covers of Nilsson's "Without Her", Rod McKuen's "The World I Used to Know", Jimmie Rodgers' "It's Over", and Donovan's "Catch The Wind" – as well as the huge hit "Mary In The Morning". Glenn's got a hell of a voice – and it sounds great on all the tracks! By The Time I Get To Phoenix begins with Glenn Campbell's amazing take on the title tune by Jimmy Webb – a pure moment of 60s genius! The pairing of Glen Campbell and Jimmy Webb is probably one of the greatest ideas ever in the history of pop music – as you'll hear on the album's title track, "By The Time I Get To Phoenix". Glen's original hit version of the song – written by a wee Jimmy at a young age – forever cut the way for his unique blend of pop, country, and easy vocal styles. The tune also kicks off this pretty nice little album of tracks that features great lesser known numbers, including some surprisingly great country covers. Titles include "Back In The Race", "My Baby's Gone", "Tomorrow Never Comes", "Bad Seed", "Love is A Lonesome River", and "I'll Be Lucky Some Day".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Capitol/BGO (UK), 1972/1973. New Copy 2CD
CD...$8.99 16.99
A trio of early 70s albums from Glen Campbell – all of them a lot more obscure than his hits! Glen Travis Campbell has a cover proclaiming that the set is "a new musical path" – and producer Jimmy Bowen works with bigger backings from Larry Muhuberac to use soaring strings ... CD
EMI/BGO (UK), 1978/1980. New Copy
CD...$8.99 14.99
Two later solo albums from Kevin Ayers – back to back on a single CD! First up is Rainbow Takeaway – a record that's a bit out of time, given all the changes that were taking place in the UK scene – but which still has Ayers doing all those wonderful things that made his solo ... CD
Fontana/BGO (UK), Late 60s. New Copy 2CD
CD...$8.99 16.99
Wayne Fontana without The Mindbenders – and sounding really cool, really groovy, and a like a completely different singer than before! A big part of the credit for the record might go to Les Reed – who sets up that great Fontana vocal style with modes that are jazzier than before, and ... CD
Columbia/BGO (UK), Late 60s. New Copy
CD...$8.99 14.99
An overlooked gem from The Koobas – a group who tried very hard and made some excellent records in the late 60s – only to see this set come out after the group had thrown in the towel! Don't let that stop your ears from digging in deep, though – as the whole thing's a subtle ... CD
Liberty/BGO (UK), 1968. New Copy
CD...$8.99 14.99
Great material from the second chapter of Del Shannon – a time when the previous pop legend opened up to trippier modes – which makes for a really great blend on this gem of an album from 1968! Even at his pop best, there was always a genuine strain of soul-searching sadness in his ... CD
Epic/BGO (UK), 1970. New Copy 2CD
CD...$8.99 16.99
Two classics from Catfish – back to back in a single set! First up is the self-titled Catfish – a killer classic from Bob "Catfish" Hodge – a hell of a singer from the heady Detroit scene of the 60s, and one who really made his mark with this fantastic debut on Epic ... CD
Warner/BGO (UK), 1973/1974/1975. New Copy 2CD
A trio of overlooked gems from Wendy Waldman – brought together in a single set! First up is Love Has Got Me – a hell of a solo start for singer/songwriter Wendy Waldman – a great album that should have had the lady right up there on the charts with some of her best 70s ... CD
Buddah/BGO (UK), 1972. New Copy 2CD
CD...$8.99 16.99
A classic double-length set from folk rock crossover giant Melanie – a special package that features material from some of her previous Buddah albums, mixed with some new material too! The record features four different sides of the singer's talents – her formative years, her hits, her ... CD
United Artists/BGO (UK), 1969/1970. New Copy 2CD
CD...$8.99 16.99
A trio of United Artists albums from Jay & The Americans – all from the great second chapter of their career! First up is Sands Of Time – a record that was part of an initial step forward with their own creative direction, but which also nods back at the earlier music that had ... CD
Capitol/Acid Symposium (Greece), 1969. New Copy
One of the best psyche albums we've ever heard on Capitol from the 60s – an introspective session with lots of space, sounds, and plenty of dark corners! The album reminds us a lot of work by Gandalf, who also recorded for Capitol at the time – very laid back at times, with a gentle ... CD
Imperial/BGO (UK), 1968/1969/1970. New Copy 2 CDs
A quartet of albums by Classics IV – a fantastic late 60s group who hardly ever get their full due! The group's forever remembered for their huge title hit on the first album – but throughout these records they maintain a really wonderful sound – all while also pushing themselves ... CD
Jasmine (UK), Late 50s/Early 60s. New Copy 2CD
A huge collection of work from the great Bobby Charles – a sometimes-overlooked figure in late 50s music, but a key force in developing the sound of Louisiana at the time! Bobby hailed from the cajun part of the state, but also drank heavily from the R&B that was brewing up in New ... CD
 



⇑ Top